“Seth material” search engine (Jane Roberts)

[...] “You don’t want to hear about all of that,” she said when I asked her how come. [...]

Our friend has a letter he wants you to hear about and I want to hear some more personal and involved questions. [...]

[...] But if you’re waiting for me to have Seth come through, you should be as anxious to hear your own inner selves come through. [...]

([Jane:] “All I want you to do is if you hear your own voice, not to distrust it. [...]

([Tom D:] “...could not hear the questions.”)

([Ron:] “That’s what I say—it could be something that—but I won’t bring it up now because I wanted to hear your opinion of it.”)

(Gert remarked it was good to hear Seth speak again.)

Now I bid you all a fond good evening, and I hope you meet many Sumari in your sleep and hopefully in the waking state and I hope that you read this session well, for when you see the words written down you will also hear what is between the words and hidden within the vowels and syllables. [...]

[...] I also told you that we would discuss some implications arising from the fact that Philip was able to hear my voice, and we shall not overlook these matters.

There is no particular reason why others could not hear me, but practically speaking the ego is usually on guard to prevent such communications. [...]

One of our favorite topics of conversation that year was when will we hear from Dr. Instream? For months on end we would hear nothing. [...]

[...] First of all, I kept waiting to hear what Dr. Instream thought about my two out-of-body episodes. [...]

[...] One night, really angry at not hearing from him, I did go with Rob to a nearby bar—only to rush home at the last minute so as not to miss the session!

[...] We could also hear the TV set faintly. [...]

[...] If you hear voices, then listen to what they say. [...]

[...] Or you will see an item of that nature in the newspaper, or you will hear a story, told directly or indirectly about the same kind of dilemma. [...]

[...] “Like you’ll come across something in a TV drama, or see it in a newspaper or hear about it, and it has quite a charge for you—only you’ll never connect it up with the dream you might have had the night before.”

[...] Fortunately Jane was out of the room at the moment and did not hear Cleveland mentioned.

[...] Seth expands on this last session in the 205th and 206th sessions, and deals with John’s experience in hearing Seth speak to him when he was alone.

[...] As stated Jane did not hear John mention Cleveland to me, although she knew he had been traveling. [...]

[...] I can hear what’s going on out there, but I still have to get out,” she said.)

[...] And Seth’s voice was jovial, booming, you didn’t have to strain to hear those words. [...]

(10:56.) The psyche, as it is turned toward physical reality, is a creator of events, and through them it experiences its own reality as through your own speech you hear your voice.

(“I don’t want to hear about it,” she said. [...]

([Pat:] “That I would like more information on, not so much for me, but for Dick, if I ever have the courage to let Dick hear this.”

[...] I’d like him to hear the tape. [...]

([Rob:] “I don’t know whether to tell you to let him hear the tape or not. [...]

[...] A person hearing this information might react in a way to avoid having to accept it.”

[...] Eventually some of our friends were bound to come around on a Monday or Wednesday evening, and hear the odd voice from outside the door as Phillip did just before we wrote Dr. Stevenson. [...]

[...] He could see and hear me as Seth and I couldn’t. Now during break I questioned him again. [...]

All of that came to mind this morning; not that it couldn’t have just been “coincidence” that later in the day I hear from Ed — after making three predictions that seemed to apply to him. [...]

[...] Not likely, I thought, just after hearing from one old friend. [...]

[...] There is indeed light that you do not see, sound that you do not hear, sensation that you do not feel. [...] The physical senses are relatively easy to distinguish: You know what you see from what you hear. [...]

Occasionally Jane will record a Sumari song when I’m out of the house; I may hear her play it later, but I don’t “bug” her about sharing it with me. [...] And sometimes I hear her voice break in mid-song. [...]

[...] Her hearing and visual difficulties were continuing. [...]

[...] We thought the voice effects were connected to her hearing and vision difficulties, which also fluctuated to some degree. [...]

Probabilities may be swirling everywhere, yet remain of course unperceived in any given instant, so that you might in this odd strange analogy (pause) hear a dim brief whirr, as in the whirling of winds, and think it unimportant—while what you heard instead was an entire world of probabilities speed past where you stood (intently).