“Seth material” search engine (Jane Roberts)

[...] The purpose was to set up a situation in which both strong facets of the personality could emerge; the intellectual, reasoning, rather practical and controlling aspects, hand in hand with the highly volatile creative spontaneous portions.

[...] On the other hand I have no intention of letting you grow lazy. [...]

[...] Neither of us exhibited any hand phenomena during the session.)

[...] Recently there have been noticeable changes for the better in both of her hands, although each one works differently. [...]

[...] No one, not even I, can hand you proof on a golden platter. [...]

If life has such great potentials, as Seth maintains, if it began—and begins (and continues to begin) at such rich creative and productive levels—then why did our experience so often make it seem that we struggled against unknowing or uncaring cosmic forces, or that we were at the most so ignorant of our own source and creativity that our hands were tied, or that we were forever shut off from our natural heritage?

Care then should be taken to concentrate on the daily matters at hand—his writing, and to avoid conscious concentration upon the state of his health or the progress of healing. [...]

[...] A heavy-handed application of suggestion should be avoided—and look carefully for negative suggestions that may be implied on either of your parts. [...]

[...] It involves something like a sleight of hand trick, played by one part of the whole self upon another part. [...]

Most of all, the hand will clear up. [...]

[...] Her cigarette had burned very short; stabbing her hand toward an ash tray on the coffee table, she struck it a glancing blow on the rim and knocked it aside. [...]

[...] My hands grew thick and fat upon the backs, as though they would lift out of themselves. [...]

[...] Black print or lettering or writing in a right-hand corner, extending outward toward the center.

(“Black print or lettering or writing in a right hand corner, extending outward toward the center.” [...]

[...] There are certain considerations, quite pertinent, that occur in your physical times, so that while on the one hand you were involved in the highest adventures of creativity, pursuing the most profound questions of consciousness, you were also deeply involved in practical considerations of making a living.

[...] On the one hand you “believe” that you form your own reality, and on the other you believe that things will most likely go wrong unless you do something to stop them; and this is the most conventional world view that forms the experience of, say, the newspaper world.

[...] Now you do not understand how both of your attitudes were affected, as the house itself changed and as it changed hands.

[...] It was simply an excuse in a way, but on the other hand Ruburt recognized the difficulties during that time. [...]

[...] On the one hand you can say that he is weakening proportionately. On the other hand he is freeing himself proportionately.

[...] Jane lay with her hands crossed on her chest. [...]

[...] After getting back and turning Jane and massaging her with Oil of Olay, she showed me how her right hand is still releasing the curled-up fingers, as begun yesterday. [...]

[...] Trouble with this finger (4th on left hand). [...]

[...] Therefore the alteration for the better represents his realization of a more beneficial relationship, and gives him a hand in it—represents his willingness to make necessary inner alterations also.

[...] If you ask on the one hand and then say “I do not want to know” on the other, the results will be minimal. [...]

On the one hand, they believe that the self is evil, and on the other they are convinced that the self should not be so. [...]

[...] He was afraid for his fingers and his hands. [...]