“Seth material” search engine (Jane Roberts)

As a glaze is added to a glaze, so the color of the glazes represent the moods within moods that make up the entire psychological framework of the personality. The fluidity of lines also tells much about the characterization; a rigidity of line showing a rigidity of character.

[...] However, she thought it might refer to the fact that the ceramic cat has a certain type of high-gloss glaze fired on; this glaze being made of glass.

[...] The photo is of a decorative garden cat, bearing a shining glass glaze, and was made by Marilyn.

[...] We had assigned the M to Marilyn’s name, thus using an initial, and the G to the glass glaze on the cat. [...]

[...] Thus the G for glass glaze refers to the cat shown on the object, the M to Marilyn who made the cat. [...]

[...] Mixed in here somehow were thoughts I’d been entertaining today about glazing the underpainting for a head I’d done in green a couple of weeks ago. [...] Strangely, the spasm episode in the dream involved the color effects I knew I’d get when I glazed the painting: I was vividly aware of the texture of the underpainting as the green color was altered into flesh color by the overlay of warm flesh colors in oil.

[...] What good were ornate cathedrals, replete with carved angels, saints, and gargoyles, gleaming with glazed colorful windows, when the people lived in hovels and labored in the fields? [...]

[...] Now she came partially out of trance easily, her eyes still darker than usual and somewhat glazed. [...]

[...] Her eyes were quite dark, without highlights, almost as though glazed.)