“Seth material” search engine (Jane Roberts)

[...] A miscellany of objects arranged in pyramid form, and people dressed as constables who are not constables. [...]

[...] These tend to form a more or less definite future, all psychic forces rushing toward it. [...]

[...] There are leaping, explosive, volatile, rapidly altering relationships in which psyche touches psyche, forms an attraction or mutual response that can be both eternal and fleeting, never destroyed or forgotten, there as a trace or as an overwhelming experience.

[...] What she explained to me in briefer form is related below. [...]

[...] She hadn’t even gone to the john since getting up around 8 AM—another form of withdrawal, I thought, once I gave it some thought.

Color, meaning and form will predominate, though perhaps in an unexpected manner. [...]

[...] When enough of these in a given area congregate together a strong field of activity and attraction is formed (long pause) a highly plastic first draft or underpainting model for future events or physical reality.

[...] (Very loudly.) And so I bid you all a fond good evening, and again, I let you know that the vitality that sings through this form sings also through your own. [...]

[...] The structures are formed by organizations of consciousness, or CU’s. You have the most intimate knowledge of the nature of a cell, for example, or of an atom. [...]

[...] There is no doubt that the whole self is a composite formed by the various aspects of the personality as it is seen in the waking and dream states, and at other levels of operation.

[...] You asked what it was like to be a personality never formed into physical matter, and I helped him attain some awareness, subjectively, of that condition. [...]

[...] Seth maintains that we will understand ourselves as dreamers only if we are also aware of the larger environment in which dreams take place, that we interact in the dream state as we do in the waking one and that we form mass dream events as we form physical events on a mass basis.

The play itself was concerned with the actualization of intuitive truth into what you would call artistic form, with a creativity of such vast and sweeping results that it would serve to awaken latent abilities within each actor and to serve as a model of behavior.

You must realize that your conscious mind is competent, its ideas pertinent, and that your own beliefs affect and form your body and your experience.

[...] With my inner sight I felt that one of those forms, sturdy and impossibly massive, might bend down and with his gigantic face peek into my kitchen window … though I was also aware that all of this was my interpretation of what I was receiving.

[...] He thrives on praise; so, true to form, the giant killer Ruburt insults him to his face.

Denied feelings gather emotional impetus, and form emotional storms. [...]

[...] It was ill-formed, not certain, cluttered by questions like “If I am well, should I go on tour or shouldn’t I?” Or “Will I lose working time?” or whatever. [...]

(10:00.) It also formed a platform for the ways in which you misunderstand each other, and therefore has served as a symbolic road of contention. [...]

[...] The angles, corners and curves of the maze he has cleverly formed himself, before this existence. [...]