“Seth material” search engine (Jane Roberts)

[...] Not only that, but when the predictors fall flat on their faces it does not help “the Cause.” [...]

[...] They are far from flat. [...]

[...] Neither of us could remember Seth stating flat out in any of his material that animals reincarnate, although he may have done so. [...]

[...] (In Italy.) The master wants to get the same feeling of bulk and three-dimensional weight and size from flat painting—molding color rather than rock. [...]

[...] She said she felt “real flat” after last break, because she felt that I had withdrawn my support from her; it was as though a great hole opened in the floor, around which she must walk carefully.

(I asked Jane to handle the envelope carefully as soon as she came out of trance, and to lay it flat on the table while opening both envelopes, etc., in order to see if the small object was in a left-hand corner. [...]

[...] From high up in the air I found myself looking down upon a white snow-covered landscape with white mountains and flat white expanses, and a vivid blue sky. [...]

[...] The same event could be quite flat by contrast, to others. [...]

[...] It was multi-dimensional rather than flat, and she could tell there were symbols or markings on it. [...]

(Jane sat very formally in her Kennedy rocker, her forearms upon the arms of the chair, her feet flat upon the rug. [...]

[...] She was standing at the sink washing dishes and looking out at the ‘dreary’ flat landscape and at their pickup truck parked there. [...]

[...] A small circle of glass on a flat base. [...]

[...] Doug’s is unsteady, or wavering, because he held the envelope flat against his leg and tried to write on it with no other support. [...]

[...] The feeling was very definite; I checked by downward pressure of my fingers to verify that in actuality they still lay flat against the bed.

Also her strong feeling that you should borrow money and get an apartment or flat or whatever you call it, was the best advice you could have been given. [...]

[...] I favor the first one: that the data refers to the large flat package in which Bill Ward mailed me the artwork to be finished. [...]

[...] Two, rather than three, freight cars had turned over, one on its side and one flat.

[...] Mirror is a help to me, see perspective on a flat plane. [...]

[...] Then he threw the ball to me, and I nearly fell flat on my face. [...]

[...] There was more than a little irony in the situation, for I was the one who’d told her flat out, back in July 1975, that she was going to start Psyche, just so that she’d have a Seth book to play with. [...]