“Seth material” search engine (Jane Roberts)

[...] This is a rather extensive procedure, involving the right portions of the neck in particular also, and drawing in of course shoulder and trunk action. [...]

[...] Jane’s publisher has written requesting some photos, drawings, etc., in connection with the book Jane is now writing on the Seth material. [...]

[...] I made a quick drawing of what I thought she was indicating, with both hands. [...]

[...] The gist of tonight’s material on this subject was that Bill allowed his intuitions enough freedom so that he was able to see the apparition for over an hour and to make several drawings of it; by the same token Jane and I were unable to see the apparition because we tried to intellectualize it. [...]

[...] It will find its own way and draw others who need it. [...]

[...] He could draw on the animal’s strength, and the animal could join in human consciousness. [...]

In those terms the identity at birth is composed of a variety of such “selves,” with their nuclei, and from that bank the physical personality has full freedom to draw. [...]

[...] I did 16 schematic pen-and-ink drawings for it, many of which contain representations of Jane’s “living area.”

(I certainly didn’t know that I’d publish my 1960 drawing of Mischa 42 years later! [...]

You have a wealth of painting material, of potential forms to draw upon. [...]

Despite your reliance upon one range only, your world of consciousness draws heavily upon all of the known wave patterns, and from others of which you are unaware. [...]

The dream of the drawings occurred on another level, and we will discuss in detail these various subconscious areas, though I speak of them as separated only for convenience.

(The pastel drawing of Jane’s that I saw in my dream was so vivid that I still retain it clearly, and plan to do an oil painting of it soon. [...]

[...] It has what abilities it has achieved, plus the ability to draw upon other energy which it could not draw upon. [...]

With Ruburt’s limited vocabulary, this is rather difficult to explain, but it would be as if the positions of your north and south poles changed constantly while maintaining the same relative distance from each other, and by their change in polarity upsetting the stability (pause) of the planet—except that because of the greater comparative strength at the poles of the units (gestures, attempts to draw diagrams in the air), a newer stability is almost immediately achieved after each shifting. [...]

[...] The whole self compares the performance of various portions of itself in physical reality and in dream reality, and draws its own conclusions.

Ruburt’s dream of last evening, and your own, both draw excellent probabilities into the realm of physical actuality. [...]

I am at the hub of your group and draw you together. [...]

[...] I want you then to draw energy and power from the voice and use it in your own way. [...]

(And here we have an excellent capsule answer as to why Jane has grown progressively worse since beginning Mass Events—see her paper of last December about her unease over that book and God of Jane—and why her symptoms have become even worse as the publication date of Mass Events draws near. [...]

[...] The natural person that is yourself loved to draw and paint. [...]

[...] Now I speculated about trying some drawings or paintings of man-animal, animal-man. [...]

[...] Your acts go into a bank of experi-ence from which others can draw.