“Seth material” search engine (Jane Roberts)

Now there was quite a bit more to that particular drama and it will come to you, and to you, and to you, and to you and to you and to you and to you and to you.And above all to you. [...]

[...] You are bony structures momentarily looking out through eyes and seeing through pulses, yet you form the eyes and the pulses and the worlds that make them possible and the dramas that so intrigue you from the past and the present and the future, and yet in all of these there are doorways, there are beginnings. [...]

[...] If he is able to dream in such a manner that he can construct dream dramas in which he plays a dependent part, then the action is satisfied.

Dream dramas are not nebulous theaterlike productions. [...]

You are playing games now, acting in plays that you call present times and you take your roles very seriously, but there are other dramas going on at the same time. [...]

(To Bette.) You are doing this to some extent with your reincarnational dramas, and when you do this you see you are bringing others up to date, in those terms, also. [...]

[...] You need to put both of these reincamational dramas to work. [...]

The expansion occurs, again, as the dream drama is acted out. For the dreamer a contraction occurs as he is finished with the events or drama for his own purposes, but energy cannot be taken back.

[...] A great painting of a battle scene, for example, may show the ability of the artist as he projects in all its appalling drama the inhuman and yet all-too-human conditions of war. [...]

[...] Dramas and stories of all kinds have been written about the inner kind of communication that seems to take place between mother and children, sister and brother, or lover and beloved.

Every subconscious personality then would see and hear the same dream, as many persons may watch the same movie; and as each person in a theater interprets the symbolism of the drama differently, so does each layer of the subconscious interpret differently the same elements of one dream.

The dream objects are not randomly chosen, but only those are chosen which will be significant to the many layers of the self, according to the need or according to that part of the subconscious area which is to be instructed; that is, the portion which is directly a participant in the dream activities, and which plays out the dream drama while other parts of the self observe.

Only in this case the man in the airplane, instead of a radio message, would radio directly into the mind mechanism of the men below, a dream drama in the coded symbols which would be interpreted automatically by the men below.

[...] dream dramas. [...]

[...] Dreams are mental work and play combined, psychic and emotional rich creative dramas. [...]

[...] They are drawn to cinema or television dramas that involve tragedies, sorrows, great dramatic struggles. [...] You are alive because you want to participate in human drama.

[...] She suggested I ask Seth again for something on the little drama. [...]

[...] We might be better off than the way you treat us now,” or as if it were a kind of suicidal drama in which the messages read: “See to what ends your actions have led us!”

[...] She needs drama, within the framework of the home, and she wants this from you. [...]

This feeling of abandoning oneself to the power and force of one’s own life does not lead to a mental segregation, but instead allows the self to sense the part that it plays in the creative drama of a universe. [...]

(Long pause at 3:49.) Instead of the drama I just outlined, you may instead see invading armies, attacking home troops. [...]

We have also spoken of the dream as a drama, and you must discover the various levels upon which these dramas take place. [...]

We have also spoken of the dream as a drama, and you must discover the various levels within which these dramas take place. [...]

Unknown characters within the dream action, persons unknown to you in daily life, should be given careful attention also, and the roles which they play within the dream drama. [...]

[...] In the overall drama however it made little difference what was fact, in your terms, and what was not — for the greater reality transcends facts and creates them. [...] You could interpret the drama as you wished. [...]

[...] So much more evidence is available to you: the order of nature; the creative drama of your dreams, that project your consciousness into other times and places; the very precision with which you spontaneously grow, without knowing how, from a fetus into an adult; the existence of heroic themes and quests and ideals that pervade the life of even the worst scoundrel — these all give evidence of the greater context in which you have your being.

[...] The entire drama would involve the “evolution” of an emotion or belief. [...]

The reflections of your ideas and intimate emotions are then projected outward in a rich drama. [...]

[...] You may suddenly “awaken” while still within the dream state, however, and recognize the drama that you have yourself created. [...]