“Seth material” search engine (Jane Roberts)

(Three months ago, way back on August 13, following the outline she’d written on July 8 for The Magical Approach to Reality: A Seth Book,¹ Jane began work on the first draft for Chapter 1 of that project. [...]

Jane might have shortened her poem had she written a final draft; rather, I decided that the reader should see just how she had spontaneously and poetically contended with her challenges on a particular day. [...]

[...] Jane has often told me that whereas she feels Seth come to her in a very warm and alive and friendly manner, she feels her consciousness going out of herself to meet Seth Two — “up the invisible pyramid like a draft up a flue.” [...]

“But Seth apparently just delivers his material verbally, and that’s it,” Jane wrote after reading my first draft of this note. [...]

[...] A slightly cold draft of air leaks in through the window. [...]

[...] She has now written the first draft for the article. [...]

[...] It is the first draft, and was thrown away by Jane and saved by me, unknown to her. [...]

[...] When I was drafted during the second World War I was given aptitude tests; to my surprise I did well on mechanical subjects, and ended up as an airplane mechanic and instrument specialist in the Air Transport Command.)

For example, women test as equal to men in sensitivity to sound; clear, logical, and rational thinking; accurate reading and writing; memory for design in areas like drafting and illustration; number memory; tweezer dexterity; foresight, as in the flow of ideas; subjective personality links to specialized work.

[...] I was just beginning the final draft of this book and told myself that I could have an excellent projection to use in this section. [...]

[...] Thus a year or so is involved from the time F. Fell agreed to publish the book and Jane began her final draft of it. [...]

At the time, I had just begun two books — an initial draft outlining the ideas in the Seth Material and a manuscript on dreams that I thought of as my “dream book.” [...]

[...] Just before the voice began to speak, I felt my consciousness drawn up through the invisible pyramid like a draft up a flue. [...]

I started the first rough draft for these notes on April 16, 1975. [...]

[...] By now she’s written 15 chapters, rough first draft, for God of Jane, and done notes for a number of others, out of a total of perhaps 25; she knows she’ll return to Seven when she’s through with the much more personal God of Jane. [...]

“I plan to begin typing my poetry book final draft shortly,” she wrote in her journal on February 11. “The poetry itself doesn’t need a final draft—just the essays.”