“Seth material” search engine (Jane Roberts)

[...] This spot is on the third island and this island itself will be involved in a disaster within a short time. [...]

[...] The same thing can happen, however, where no crashes or disasters are involved, and no dangers are implied, but where events that do not fit into your implied pattern intrude into it.

You may wonder why so many forms of life would be involved in what might seem to be self-destructive behavior, often leading to death — but remember that no consciousness considers death an end or a disaster, but views it instead as a means to the continuation of corporeal and noncorporeal existence.

[...] This spot is on the third island and this island itself will be involved in a disaster within a short time. [...]

Yet, I read all of those dire newspaper stories predicting disaster, and (oh yes, dear readers) I watched the daily tragic news events dramatized in living color on our television screen. [...]

[...] The first time I mentioned with the epidemiclike disaster, was 14 centuries after Atlantis. [...]

Individuals are always warned of disasters, so that the organism can prepare itself ahead of time. [...] Consciously such knowledge is not given to the ego for obvious reasons, but every organism, through its inner senses, is equipped with subconscious knowledge of personal disasters, deaths, and so forth, the personality itself deciding beforehand what it considers disastrous; and the members of the species as a whole know in advance of their wars. [...]

If they have gone too far, then they have been so concerned with inner reality that they have become too tolerant of physical disease and disasters. If they have not gone far enough, then they have not followed through sufficiently so that these physical disasters could truly be suffered without pain.

Problems leading to world wars also cause worldwide natural disasters. [...]

[...] Right now she’s watching a disaster movie—The Poseidon Adventure—as I finish work.)

[...] Her ass and buttocks and lower spine are a disaster area as far as bedsores go—much worse than previously, and, I told her, they must represent an exact replica of her inner state. [...]

You may have become a part of the drama of a natural disaster, or avoided it as a result of other seemingly chance occurrences. [...]

[...] A psychic depression often results, one that is deepened by the Christmas music and the commercial displays, by the religious reminders that the species is made in God’s image, and by the other reminders that the body so given is seemingly incapable of caring for itself and is a natural prey to disease and disaster.

[...] In each case there is the anticipation of disaster — in one case from the familiar body, which can be attacked by deadly diseases at any time, and is seemingly at least without defenses; and in the other case from the danger without: exaggerated, ever-threatening, and ever to be contended with.

(10:12.) To dwell upon the possibility of illness or disaster is equally poor policy, for you set up negative webs of probabilities that need not occur. [...]

[...] As much pleasure as possible must be given her to counteract the concentration upon hopelessness and disaster. [...]

[...] In your arena of events, obviously, one man’s good can be another’s disaster. [...]

[...] This portion of your identity is quite natively clairvoyant and telepathic, so that you are warned of disasters before they occur, whether or not you consciously accept the message, and all communication takes place long before a word is spoken.

When you find yourselves therefore noticing more and more the inequalities, the disasters and the shames that come within your sphere of perception, you add to their existence. [...]

[...] In a fashion (long pause) in this latest disaster, they took their land with them in their deaths. [...]

(Pause.) Briefly, remember analogies I have made in the past, comparing the landscape of physical experience to the painter’s landscape — which may be dark, gloomy, filled with portents of disaster, and yet still be a work of art. [...]