“Seth material” search engine (Jane Roberts)

[...] Ruburt did overemphasize his critical faculties this evening, yet he was psychically alert.

[...] The patient’s emotional condition is such that he or she readily accepts statements made under such circumstances less critically than usual.

Now in his own mind Ruburt has been highly critical of that neighbor, and so have you at times. [...]

[...] If at the same time you seemed overly critical—to him, now—of a manuscript, say, or his missing sessions, then it seemed approval was denied him from the one person whose integrity he trusted.

[...] I speculated about whether her sitting on such desires, not daring to admit them, say, might have surfaced as fear of scorn and criticism, and so forth. [...]

[...] But these portions are as critical—and even as intellectual—as valid and as real as the consciousness with which you are ordinarily familiar.”

He did not alert his critical faculties however, and is consciously unaware of the experiences and the information. [...]

[...] I wondered if Jane’s sitting on such desires, unexpressed, could have resulted in some of her fears of scorn and criticism, etc.

[...] It is sardonic, coolly critical, hip, righteous for the underdog, and with all of this a carrier now and then for new ideas of format for initiators. [...]

[...] I should also note that if coffee does not prevent or inhibit sleep, it will stimulate dream projections, and also aid you in bringing the critical faculties into the dream state. [...]

[...] When the poetry was thus criticized, Ruburt was afraid the support would be withdrawn. [...]

True questioning and true use of the critical faculties will always lead Ruburt, to intuitional truths, so there is no reason to fear them. [...]

You place upon names and dates an importance you presently find of critical import. [...]

When he thinks of work in that fashion, then feelings of responsibility, respectability, scorn or criticism emerge, to thicken the picture. [...]

[...] Such a feeling, recognized, can also serve—as it did serve the woman’s mother—as a critical point of recognition that the desire to die was triggered not so much (long pause) by the feeling of life’s completion as by the fact that the individual had set up too many restrictions in life itself—restrictions that were severely cutting back its own possibilities of value fulfillment, or future effective action. [...]

[...] In Ruburt’s case, it began to worry that the exuberant, spontaneous, emotional parts of the self would allow their search for truth and creativity to get out of bounds, bringing some danger, perhaps, rather than honor—or at the very least scorn and criticism. [...]

[...] I find it enjoyable and somewhat amusing, but I always respect the workings of honest skepticism and intellectual critical analysis. [...]

[...] You both often criticize those who are overweight, emphasizing in your minds and feelings the lack of control this implies to you, the overindulgence. [...]

[...] When Ruburt’s psychic abilities began to show themselves, however, those same beliefs made both of you even more cautious than before, and more worried about reprisal from others — and as far as Ruburt was concerned, more worried about criticism or scorn. [...]

[...] Yet its quality is such that professional art critics could learn from it, though some of their productions might take much longer periods of time, and result from an extensive conscious knowledge of art, which Ruburt almost entirely lacks. [...]