“Seth material” search engine (Jane Roberts)

[...] You need to learn the power of thought and emotion, but this should fill you with the joy of creativity and the possibility, not frighten you out of (words missing) of responsibility. [...]

[...] They were creative in that they bore within them the only seeds that could grow, in your terms, within that place and that time. [...]

[...] Yet the soul is above all a fountain of energy, creativity, and action that shows its characteristics in life precisely through the ever-changing emotions.

You know that he worked through problems, then, both physically and creatively. [...]

[...] Mind, as physically directed, utilizes the greatest sources of power and energy along with unlimited aspects of creativity, so that each physical day is indeed absolutely unique. [...]

(See the 138th and 141st sessions for material on the three creative dilemmas.)

[...] Humanity is lively, curious and capricious, creative and exuberant. [...]

[...] Some of this was a creative psychic and artistic endeavor that had to be worked through, whether or not it shook the foundations, you see.

3. I am not creative. [...]

In larger terms, much larger terms, all events are creative. [...]

[...] At another, a man who dealt with moneylending, and who somehow made this into a creative endeavor.

[...] You are not daring, you are not innovative, you are not creative—either of you (emphatically)—in that area.

Tonight Ruburt was exhausted, in one way, from comparing your joint beliefs with those of your brother’s family; of checking his own body beliefs (Jane touched her knee) with theirs and seeing where his were detrimental — but also from contrasting his personal psychic and creative abilities with theirs, and that exhilarated him. [...]

[...] He has always emphasized his own unique creative and intuitive processes. [...]

[...] Another is the sequel to her novel, The Education of Oversoul Seven; that first Seven book was published in April 1973 — and lately she’s been thinking of resuming work on Seven Two, as we usually call it.¹ One thing is certain: Jane will see to it that something creative happens to change the status quo, for she’s much too restless and energetic to leave things as they are.

[...] It has caused him to hold back in the development of his full writing talents, for these specialized creative abilities, the writing techniques, will come into their own now that the personality is more fully behind our work.

[...] I could reconcile a mental voice as a valid and quite safe mechanism of the creative subconscious, as I liked to call it — but an image next to me in the kitchen while I did the dishes? [...]

[...] There is certain work that you could do that could be compared to Ruburt’s science fiction; that is, commercial in that it brings in money, and yet expresses an intuitive and creative part of the personality and is not, as you say, hack work.

[...] Do not think, again, in terms of absolutes, but of improvement from where he is, and use your creativity there. [...]

[...] As gifts for me because of my interest in their great creativity, Jane “tuned into”, on her own and without Seth, excellent books on the artist Paul Cézanne in 1977 and on the philosopher William James in 1978. [...]