“Seth material” search engine (Jane Roberts)

This afternoon we had a long discussion about the conflicts we often feel between our natural desires for creative privacy and the fact that our works go out into the world. [...]

[...] Here again we have our creative tension, whereby a new reality is formed as a result of the distortion itself. [...]

[...] Then he began to learn the lessons that were needed — that life is expression, and that it is safe for him to move mentally and physically, using both his psychic, creative, mental and physical abilities to their fullest.

The receptivity is of a creative nature, you understand as if you were clearing land so that a primitive airplane could land, or setting a beacon in a window. [...]

The motive power of the universe and of each particle or wave or person within it is the magnificent thrust toward creative probabilities, and the tension that exists, the exuberant tension, that exists “between” probable choices and probable events. [...]

[...] Now if there is any discipline that I would tell you to adapt, it would be the discipline of joy which is spontaneous and from which, initially, all creativity comes. [...]

The “you” who is capable of such expansion must be a far more creative and multidimensional personality than you earlier imagined. [...]

[...] She was certain, she wrote, that far more than Seth’s being a spirit guide was involved, that “in larger terms the abilities of living personality are connected with … other facets of creative consciousness.”

[...] At times the creative pace grew even more complicated: From March to July 1972, she put Adventures aside completely to write her novel, The Education of Oversoul Seven, when that idea spontaneously came to her. [...]

[...] As Jane wrote, she realized that the questions she had been struggling with in Adventures had triggered a new psychology, a new way of approaching the creative portions of human personality.

(From the ESP class session for January 7, 1975:) Ruburt can do many things that surprise me — that I did not do in my past, for remember that fresh creativity emerges from the past also, as in Ruburt’s novel, Oversoul Seven.²⁹

(9:01.) Ruburt’s intuitions, his nature, his creative abilities, and his intellect, have led him into a study of the nature of reality, as, again, he sought to find a larger framework of reference. [...]

[...] She finished Chapter 17 today, and wrote in her journal after supper: “Very very very good on Chapter 17—oodles of new insights! Pleased!” She envisions at least another half dozen chapters for the book, but at the same time she’s leaving final decisions up to her creative self. [...]

[...] His creative mobility is dependent upon his physical mobility now in this life—something he did not understand before.

This brought forth a turmoil in beliefs, and a creative one that is only now being used and assimilated. [...]

He needs inner initiation, new stirrings of his own (underlined) creativity. [...]

(11:11.) As basic creativeness is behind all art forms, so cordellas are behind and within alphabets. [...]

[...] You are using it creatively whether you know it or not, and it shouts through you even though you purse your lips, and it speaks through you even though you tense your muscles to hide it. [...]

[...] There is, therefore, a quite valid, vital, real and vastly creative inner reality, and an inward sequence of events from which your present universe and life emerges. [...]

[...] All order rises out of the creative elements of unpredictability. [...]

[...] The creative energy that fashioned the dream was truth—though the questioning kind of attitude you had in the dream of itself would make truth seem always unavailable.

I will try in your future to explain basic systems of co-ordinates so that you will have some conception of how all creative and inspirational ideas always appear within your system; for only one portion of you appears isolated within it.

[...] He must realize that relaxation is also a part of the creative process. [...]

[...] I’m angry because I think — I know — that we human beings have the blessed creative capacity to do so much better. [...]