“Seth material” search engine (Jane Roberts)

As long as you believe that either good events or bad ones are meted out by a personified God as the reward or punishment for your actions, or on the other hand that events are largely meaningless, chaotic, subjective knots in the tangled web of an accidental Darwinian world, then you cannot consciously understand your own creativity, or play the role in the universe that you are capable of playing as individuals or as a species. [...]

[...] Despite that, however, at a physical level, your money is turned to help others at one level, while your work allows you the freedom of creativity, and the privilege of helping at a still higher level.

[...] If you had, then what creativity and constructiveness were still in you would have softened the faces of the images, really to an amazing degree. [...]

Your own experience with creativity should serve you well as far as this discussion goes. [...] You are forced because of your earthly physical situation to transform this creative energy into another camouflage pattern. [...]

Though the past is actually quite as immediate, alive, and creative as the present is, man made certain adjustments, on several layers, that would focus definite distinctions and set past and present experience apart. [...]

[...] The future was blocked, practically speaking (long pause), to preserve freedom of action and to encourage physical exploration, curiosity, and creativity. [...]

If you will remember the three creative dilemmas discussed in our past session, you will see that we have here the reason for our self-perpetuating universe, the reason for termination within it, and the inherent necessity for change. [...]

[...] Truly a creative and original gift. [...]

Creativity springs forth easily, and so such locations are not necessarily peaceful, although they would be the best ground in which peace could grow. [...]

[...] That request alone had some very interesting and creative results. [...]

[...] A large portion of this book will be devoted, of course, to the introduction of concepts that will privately encourage greater productivity and creativity, and therefore automatically contribute to more healthy and sane social ways.

At the same time, in psychoanalysis you are often programmed to believe that the “unconscious,” being the source of such dark secrets, cannot be counted upon as any bed of creativity or inspiration, and so you are denied the help that the inner portions of the self could give to your consciousness.

Platonic thought saw this inner world as perfect.⁴ As you think of it, however, perfection always suggests something done and finished, or beyond surpassing, and this of course denies the inherent characteristics of creativity, which do indeed always seek to surpass themselves. [...]

When he is working his plunge into creativity is deep. [...]

[...] The affair will be most beneficial from many viewpoints, and represents a creative endeavor.

[...] This simply represents another creative project which he shall deliver, with our help.

(10:00.) Such endless creativity can seem so dazzling that the individual would appear lost within it,² yet consciousness forms its own organizations and psychic interactions at all levels. [...]

[...] Working with events not even real to you, it produces a physical structure that maintains identity and predictability out of a vastly creative network. [...]

[...] Indeed, Jane and I insist that the ingredients of the nature we think we look out upon are entirely creative and spiritual—a state of affairs profoundly different from that advocated in orthodox naturalism!)

The inwardness, or inward energy which forms all these systems, is the inventive stabilizer; and yet in its search it ever creates new outlets that result in creative chaos, a lack of temporary balance which is then balanced. [...]

[...] Now in a creative individual, some of these could be expressed symbolically in a painting or other work of art, but the ego could not consider them as actual.

[...] No, no creativity arises from an evenness of pressure, but in constantly changing, new instabilities, ever seeking to achieve a balance.

[...] They imagine tragic roles with as much creative abandon as they imagine roles of which adults might approve. [...]