“Seth material” search engine (Jane Roberts)

Ruburt’s body is then magically and naturally repairing itself in a function just as creative, of course, as the inner work that goes on in the production of a book or a poem — a fact he is finally getting through his head. [...]

If you will think of this, both of you now, and you must, as a creative challenge, this will be of great benefit. [...]

[...] You communicate with the depths of your own being, and the source of your creativity. [...]

The creative act is your closest experience to direct cognition. [...]

All of those characteristics have their sources in Framework 2, for the psychological medium in Framework 2 is automatically conducive to creativity. [...]

(But so fearful and reluctant are we to face or to grasp ideas about death that run counter to what we’ve been taught, that we’ll literally do almost anything to ourselves in order to prevent nature’s plan from working in its own natural and creative way. [...]

Your own experience with creativity should help you out here. [...]

You are forced to transform this creative energy into another camouflage pattern because of your earthly situation. [...]

[...] Artists of any kind find such an approach the least friendly, for it directly contradicts the vast thrust of man’s creativity in several important areas. [...] In the past you have both felt at some disadvantage yourselves, feeling our work to be theoretically fascinating, creatively valid, but not necessarily containing any statement about any kind of “scientifically valid” hardbed reality. [...]

[...] We always think that such beliefs, while serving a variety of quite legitimate creative and psychic purposes, are very likely to be more mythic than physically factual. [...]

[...] The true dimensions of a divine creativity would be unendurable for any one consciousness of whatever import, and so that splendor is infinitely dimensionalized (most intensely throughout), worlds spiraling outward with each ‘moment’ of a cosmic breath; with the separation of worlds a necessity, and with individual and mass comprehension always growing at such a rate that All That Is multiplies itself at microseconds, building both pasts and futures and other time scales you do not recognize. [...]

[...] He has always been a creative rather than destructive personality.

The impulse to do the floors, however, creatively stimulated Framework 2 activity. [...]

[...] Any discussion of this in our books is strictly my own doing, my own speculation: I think it fun to play creatively with a theory that is, after all, there for anyone to consider, from whatever standpoint. [...]

I think the beliefs the three of us hold are very creative ones; we accept them on that basis; they are as good “proofs” as we can currently get, and offer their own answers by sparking us into new ways of trying to make sense out of our reality. [...]

[...] Hell is being blocked and knowing you’re being blocked from using your abilities; your abilities of creativity. [...]

([Gert:] “Now when you say that about creativity.... [...]

The creative abilities have full reign within the dream state, and it is here that the personality first tests its creative intensities and methods. [...]

[...] He simply needed a rest, creatively speaking, and the change of seasons will exhilarate him.

[...] There is a definite connection between this constant dream activity undertaken by the unconscious self, and what you call inspiration or creative activity.

[...] I’d just gotten nicely into that project when the disclaimer business started over Mass Events—it seems like months ago; actually, this may be the third month following the interruption, an incredible gap in creativity, for which I blame Prentice, no doubt about it. [...]

[...] In any case, if you follow the latest sessions, and if you both really exerted your creativity and daring in the area of Ruburt’s condition, you would literally be quite astonished at the results.

You will realize that you are not a physical self standing at the window in the middle of the night looking out upon a sleeping world—but that you are a creative consciousness who helps form the sleeping world. [...]

[...] On a much different plane, this can be compared to geniuses in creative fields within your own physical reality.

[...] Basically the inner reality is the creative source of the physical one. [...]