“Seth material” search engine (Jane Roberts)

It was a welcome to the spontaneous self, expressed creatively. [...]

[...] Even the emotion in the first portion, spontaneously expressed and creatively formed into art, is a good indication.

This simply means that you did not spark creative impetus of any kind within each other. [...]

There are no barriers as far as development and experience are concerned, nor to creativity. [...]

[...] Yet a refusal to worry as such will often show remarkable results by freeing the creative mechanisms, relaxing the body, and therefore allowing solutions and resolutions to occur naturally. [...]

You also need to influence personally those people in the outside world with whom you come in daily contact, and to extend yourself in using your full abilities of understanding and creativeness in your outside contacts. [...]

[...] You cannot truly shrink in one field of endeavor without shrinking in all, particularly if you are creative.

[...] With your creative abilities you will always form a synthesis from your own experience. [...]

[...] The past contains for each of you some moments of joy, strength, creativity and splendor, as well as episodes of unhappiness, despair perhaps, turmoil and cruelty. [...]

[...] Creativity and experience are being formed moment by moment by each individual. [...]

This transformation of energy should be quite comprehensible since you know that you subconsciously transform energy into physical, mental, creative or psychological states, manipulating it to your advantage. [...]

[...] I would suggest here that our hardheaded friend, Ruburt, refresh himself tomorrow by loosening his schedule somewhat, and gaining new reservoirs of creative energy, through perhaps an aimless walk, or quiet contemplation.

[...] And so as all things that have come and gone already begun and in their beginning they change and alter, creativity once more arises and you play your part in it and you find yourselves embarked in a new world, in new sensations, in new encounters with self, even though the sense even now passes away and you know where the future is behind you and the past that is yet to come for the past is forever as new as the future and in all things are there beginnings without endings and even your ideas of endings rouse themselves and can never pass away. [...] The selves are new but you have sat here for centuries, and in your aliveness springs the creativity from which all things are born and the joy and vitality that gives life to all worlds. [...]

[...] There was the need from which creativity springs. [...]

[...] He left you what he thought was the best he had to give you, a need for creativity that he could not express in physical terms. [...]

[...] “I told myself before the session that you’re supposed to identify with your creative self, so I just said I’d go along with whatever happened in the session. [...]

The understanding of your own rightness opens up from Framework 2 all kinds of creative opportunities that have been closed to you because your own set ideas have to some extent limited you. [...]

[...] It was a creative conflict.

[...] Other portions should explain your own ideas concerning creativity as you feel it in yourself — the differences and similarities between your experience when you paint a picture from “usual” inspiration and when first of all you perceive the psychic impression that leads to a painting. [...]

[...] In that sense, then, the creative processes involved with these two volumes were endless — at least until Jane and I called a halt to them for sheer physical reasons. (Those processes are still without end, of course, as is all creativity.)

[...] I found the low results difficult to believe; they speak volumes (the pun is deliberate) about the great speed that creativity — at least Jane’s — can show under certain conditions. [...] So either hourly total is most remarkable for the involved creative accomplishment of “Unknown” Reality, regardless of the larger context in which those hours were really expended. [...]

[...] Jane’s books are records of her use of certain abilities that we think are very creative; the questions she raises present us with larger fields to investigate. [...]

[...] The method is unbeatable, and is the way to actualize any kind of really creative venture.

[...] In greater terms the psyche is always in a state of creative change. [...]

[...] They served expression and creativity, and they insured financial security—but at the same time they made Ruburt’s unofficial “dangerous” thoughts publicly available. [...]

[...] I am not directly concerned with the exuberance, vitality, creativity, joys, sorrows, or tragedies of life.

[...] Now, a thought to him is a creative experience. [...]

However, his energy is beyond my knowledge and his creativity is beyond my knowledge. [...]

[...] All of this goes on before any event appears in physical terms, in the same way that much creative activity goes on hidden in your mind, behind each movement of your hand as you apply paint with a brush to a painting. [...]

[...] Do not overwhelm yourself with suggestions before sleep, but it is a very good time to give yourself suggestions concerning your painting in terms of creative intuitions to help you use your abilities.

[...] I only saw that she could use the rest, since she obviously didn’t feel well generally—but I also thought she was waiting for one of her characteristic surges of creative energy before digging into her next book (of which she always has several going). [...]

[...] The whole creative intimacy of our hill house was one that we’d enjoyed many times; we desperately wanted to return to that same ambience many more times.

[...] Just the same, her creative abilities had immediately come to her aid.)

[...] If, on the other hand, your feelings and subjective experience are fairly well balanced, fairly optimistic and creative in a constructive manner, then it will seem to you that you have been blessed with unusual luck, for your pleasant suppositions will come to pass so quickly.

[...] His state of mind during the day then varies, so that with his files (of poetry) today he was in a highly relaxed, creative, productive, mental level, one that served to cushion his mind from the critical reproaches he can often give himself, and therefore bodily relaxation could continue. [...]