“Seth material” search engine (Jane Roberts)

[...] Your own impulses naturally lead you to seek creative fulfillment, the expansion of your consciousness, psychic excursions, and the conscious knowledge and manipulation of your dreams.

[...] What you have in your physical species are the manifestations of inner species of being, or creative groupings originated by consciousness as material patterns into which consciousness then flows. [...]

[...] You are not just dealing with a one-line development of matter, but of an unimaginable creativity, in which all versions of your physical world exist, each one quite convinced of its physical nature. [...]

Now: you are working very well together, and your suggestion about the use of the chair (to get around the house) was the result of Framework 2 creativity. [...]

[...] This led to the birth of new creative material as well. [...]

[...] He must also remember Sumari time, for the creative imagination works no matter what you are doing.

[...] Ideas of cause and effect can hold you back here, because it seems to you that the leaves of next year come as an effect caused by this year’s leaves.¹⁰ To the plant and its innate creative pattern, however, all of its manifestations are one — an expression of itself, each portion different. [...] In that greater realm of reality there is creative interplay, and interrelationships between all aspects of selfhood.

Give us a moment … Selfhood overspills with great luxurious outcroppings, yet you jealously guard against such creativity. [...]

(To me:) When you consider your creative pursuits, trust the body of your creativity, and stop making judgments like this or that will probably never be done, or finished, and therefore limiting your probabilities. [...]

[...] No God can change it for you for He has given you the creative energy to form your own world, and you can change it through joy and not through dignity. [...] You can change it by letting yourselves go gladly into the nature of creativity and not by holding back. [...]

Before the day begins with work Ruburt should take a few moments, as he has done in periods of improvement, to dedicate himself to a creative and expressive day. [...]

[...] Playfully now, for the relaxation and joy of doing it, let yourselves imagine the things you want to do, as a creative game, because of the intrinsic pleasure involved but without Ruburt expecting, or rather demanding, instantaneous results.

[...] The soul is, however, first of all creative. [...]

[...] I hope to acquaint you with those deeply creative aspects of your own being, so that you can use these to extend and expand your entire experience.

[...] There are also kinds of creative changes that you do not foresee, that you can make in both areas of the yard, at Foster. [...]

The sunny nature and the open quality—regardless of what Ruburt thinks now, will help him creatively and physically—but the house represents a decision to face the world, while maintaining certain necessary and quite reasonable conditions. [...]

[...] And it has strong evocative connections with your creative lives.

In fact, the first two statements, while making no logical sense, do indeed hint of (pause) phenomena that show time itself to be no more than a creative construct. [...]

[...] (Long pause.) Your consciousness is a part of an infinitely original creative process.

(9:58.) Your finest aspirations can give you some dim clue as to the great creative thrust that is behind your own smallest act, for your own smallest act is possible only because your body has already been provided for in the physical world. [...]

[...] Your love for each other is coming to new fruition, and that, sensed by each of you, will give you an even greater impetus, for Ruburt creatively and physically; and for you this will bring about real breakthroughs in your painting and in your writing.

[...] Your accomplishments, despite all of the hassles, have accelerated to a point of new creativity. [...]

Such a ritual would add considerable refreshment to your spirits and creativity, and also throw light upon your daily behavior.

[...] You felt in any case to some extent that those with any creative abilities had to so protect themselves.

[...] The suggestions you were each using were invisible to you, while in your creative lives suggestion was quite apparent. [...]

[...] See how you use suggestion naturally to reinforce and encourage your creative activities, and how you use it otherwise. [...]

[...] Hopefully this book will allow you some intimate awareness, some definite experience, that will acquaint you with the nature of your own psyche, and then you will see that its reality escapes all definitions, defies all categorizing, and shoves aside with exuberant creativity all attempts to wrap it up in a neat package.

[...] If you want to experience the splendid creativity of your own being, however, then I will use methods that will arouse your greatest adventuresomeness, your boldest faith in yourself, and I will paint pictures of your psyche that will lead you to experience even its broadest reaches, if you so desire. [...]

In a flash of insight it occurs to him that he also has been painted — that there is another artist behind him from whom his own creativity springs, and he also begins to look out of the frame.

[...] I’m still pursuing my new ideas about ignoring as much as possible any potential hassles, and focusing on my creative work each day.

[...] And I’m surely more than grateful that we have so much more to look forward to—that many years yet lie ahead if us, of creativity and freedoms of kinds that now we probably only can consciously dream about. [...]

[...] But Jane does little if any creative work and her decubiti are much worse. [...]

“It is this dilemma, between identity’s constant attempts to maintain stability and action’s inherent drive for change, that results in the imbalance, the exquisite creative by-product that is consciousness of self. For consciousness and existence do not result from delicate balances so much as they are made possible by lack of balances, so richly creative that there would be no reality were balance ever maintained.

“We have a series of creative strains. [...]

[...] It is a dimension of action, an almost miraculous state, made possible by what I choose to call a series of creative dilemmas.

[...] Ego consciousness is a state resulting from the third creative dilemma, which happens when consciousness of self attempts to separate itself from action. [...]

[...] Creative function is related to the dream state. [...]

[...] The fluid represented several things, it represented seminal fluid in terms of creativity and energy. It also represented the water or fountainhead of spiritual creativity so that both ages merged and you felt that this had been drawn out from you in order to keep you contented within this artificial framework. [...]

(To Arnold.) The dream was an exquisite creative production, you see, and in a way a commentary from other layers of yourself, not only on the present state of civilization as you see it, but a commentary upon civilizations in the past so that both past and present images were transposed, one upon the other. [...]

[...] Usually a certain kind of serene existence makes the best kind of day-by-day framework for these sessions and our other creative work, even while those days may contain within them points of unusual interest or excitement [such as Jane’s weekly ESP class]. [...]

[...] There is an inexhaustible creativity within the cells themselves, that you are not using as a species because your beliefs lag so far behind your innate biological spirituality and wisdom. [...]

Give us a moment … In a way you are all your own mutants, creatively altering cellular formations. [...]

[...] These, however, must then develop according to their own merit, using the creative abilities inherent in them. [...]

[...] On the other hand, we allow them full rein, knowing that we are motivated by an inner stability that can well afford spontaneity and creation, and realizing that spiritual and psychological identity are dependent upon creative change.

The last session, its private portions for Ruburt, should be reread, with its emphasis upon creativity and trust in unconscious processes.