“Seth material” search engine (Jane Roberts)

[...] Nebene to some extent then was a trigger of creativity. The realization of Nebene would automatically lead you to question, to bring to your conscious attention characteristics that otherwise you may not have recognized; blocks to your creativity, and yet strong drives toward the nature of truth, from which your creativity also springs.

[...] Symbolically, Seven (Oversoul) was important because the book showed Ruburt the wedding of psychic ability and creative ability, emerging as fiction and art form, and his baby.

[...] You have only to look within yourself for the source of exaltation, creativity and song. [...]

[...] Its sources rise from your own being and from the fountainhead of creativity that is within each of you, and the teacher is within each of you, and you are yourselves the teacher that you do not recognize. [...]

[...] I want you to look through stereotyped images of good and evil until you understand what your own creativity is. [...]

[...] Any thought that you have is creative. [...]

[...] They unite and stimulate his creative abilities so that he does what comes naturally, easily and vitally to him, searching out his own view of reality—but in certain areas the intellect and the emotions begin to separate in their visions of the picture of the world. [...]

[...] In Ruburt’s case, it began to worry that the exuberant, spontaneous, emotional parts of the self would allow their search for truth and creativity to get out of bounds, bringing some danger, perhaps, rather than honor—or at the very least scorn and criticism. [...]

[...] We are trying to reassure him that relaxation is indeed a part of a creative process, and that it also makes all other motion possible. [...]

That’s the way she revels in her creative activities. [...] Small creative writing class? [...]

In a fashion (underlined), it was a great creative and yet cosmic game that consciousness played with itself, and it did represent a new kind of awareness, but I want to emphasize that each version of All That Is is unique. [...]

[...] You must begin to change your mode of thinking, but it will automatically change as you remember what I said about creativity, and stop worrying, both of you. Creative thought is the mode of thought that most clearly approximates Framework 2’s mode of organization, and the nature of the universe. [...]

He began to creatively consider what he would do, and then out of habit projected, at times, his present circumstances, so that they seemed to contradict his hopes. [...]

I did not say idleness, for this can be creative, in terms of creative enjoyment. [...]

[...] A creative event is far more significant than twenty years of boredom, you see.

The creative abilities after a while were themselves suspect. [...]

(9:10.) Psychic abilities, as such, were relatively unimportant to Ruburt when the Sinful Self was receiving all of this instruction, so in that regard they, taken alone, were simply seen in a somewhat worse light than the creative abilities. [...]

The other creative, positive, achieving portions of life are ever present, and thoughts of them alone can bring refreshment and release from tension.

[...] Young people in particular are needed to work for the promotion of peace and nuclear disarmament, to take up the tasks of deregulating and redistributing food sources, and of encouraging nations to join in such a creative venture. [...]

[...] In a fashion this applies to most endeavors of a creative kind. [...]

[...] At the same time he was learning that expression denied at one level means expression denied to some extent at all levels (louder)—so that of course his creative work also suffered to some degree. [...]

He thought that immobility kept him at his desk working, free from any impulses to do otherwise, since for many years he believed that the spontaneous self must be harnessed toward creativity, and that left alone it would have too many other interests. [...]

The immobility protected him, so he thought, from encountering any such outside conflicts, and insured his continuing creativity by cutting down other interests and distractions, and by organizing his time in a most economical fashion—or so it seemed. [...]

[...] The karate image will now help him gain, and helps him correlate his ideas of creativity with a different kind of image than he has had before.

He felt that in your world and interpretation his ideas were Pollyanna, but I tell you that is practical creativity—and it can wipe out many negative beliefs, more in a moment than you can realize.

[...] Intuitively the connection between pleasurable creative activity and the mundane world of having to make money with it is to some extent broken.

Ruburt must assure himself that he can perform adequately physically, that this is physically possible, and then that he can do it while using his full abilities as a writer, as a creative person.

[...] This may be reflected in periods of seeming unrest in which, however, new creativity is looming. [...] (More powerfully:) You do not trust your inner selves enough, or realize the creative ferment brewing. [...]

I am speaking to you both individually and for the book here: Any point in your present is a potential point of great creative change, but because of the rhythms spoken of, it is easier for changes to occur in certain cycles.

[...] The idea of responsibility, as described here, blocks creativity, hampers natural psychic and physical flow: “I should be doing thus and so.” [...]

[...] I have myself in the past given a good deal of information about the conflicts that can arise when Ruburt overemphasizes the idea of work as opposed to creativity. [...]

[...] Because you have no set hours in that regard, Ruburt has filled all of them with “I should do this,” or “I should be doing that,” or “What should I be doing now?” —and that alone blocks creative flow. [...]

You will accept your present position, whatever it is, as being a part of that direction, and realize that from it can come all the creative elements that you need. [...]

There is no human being alive who does not have creative abilities in his or her own way, achievements and excellent characteristics, so if you follow these instructions you will find out that you are indeed a worthy individual.

(10:01.) Any help that you give to others will come through the creative utilization of your own characteristics and no one else’s. Do not get upset with yourself when you find yourself dwelling on negative issues in your life. [...]

[...] Again, however, creative challenges are set by each individual, challenges that involve achievements, of course, of one kind or another, simple or sublime. [...]

[...] The release of psychic energy involved, regardless of me, was literally a new birth, bringing forth an impetus for change and creative activity. [...]

What I want to say will wait, for I want you to read those old sessions first —and in all of this remember Framework 2, which deals with creative change, which is growth. [...]

[...] I want him to continue helping with “Unknown”—but also to follow the suggestions I gave a while ago, and devote some time each day to free, creative, playful thought. [...]

Such ideas, practically speaking anyhow, deny you the use of creative energy and vitality you think you had then, that you think you do not have now—the unbridled free energy and exuberance you have equated with youth. [...]

[...] Think in terms of creativity. [...] And (very loud voice) I will not tell you this is creative violence. Now, the very sound of my voice, as our dear friend knows, assaults the silence of the room and yet it is creative. And the vitality that sweeps through this form assaults the silence and yet it is creative. [...]

Now the atoms and molecules also, my dear scientific friend over there (Arnold), these atoms and molecules, minute as they may appear to you, also carry their burden of consciousness and a responsibility, yet there is a portion of consciousness that can joyfully perceive in a different manner that is not forced to perceive by its nature, but that can playfully perceive as a creative aspect of its being and without responsibility. [...]

Creative people, if they succeed at all, often find themselves in a position where they feel that the precious inward isolation is threatened. [...]

[...] The belief as he wrote it alone was simply that to do his creative work he had to curtail other activities. [...]

[...] From the rich bed of creative imagination springs the physical facts that appear within your lives. [...]

[...] Now if you concentrate upon the improvements with this understanding that facts grow from that creativity, then you begin to structure your attention in the line of those improvements, minute as they appear. [...]

[...] Now it is true that withheld sexual energy can be diverted to creative aims, but in your cases it was the feeling of daily emotional nourishment that was sometimes lacking.

Within that area you will both find greater freedom, warmth and creativity. [...]

[...] This has led you to develop psychic abilities for creative purposes—that you would not have needed nor sought otherwise.

Yet human forms and faces intrigue you, hence the development of these creative visions, which are actually often highly intensified emotionally. [...]

[...] On the other hand, it offered a new creativity, in his terms.

[...] The adventure was a highly creative one despite the obvious disadvantages, and represented an “evolution” of consciousness that enriched man’s subjective experience, and indeed added to the dimensions of reality itself.

(Slower now): All of this material now given must be considered along with the fact that beneath these developments there are the eternal aspects and creative characteristics of a force that is both undeniable and intimate. [...]

[...] Some, in your terms, are creative, and some destructive, though the latter are seldom recognized as such.