“Seth material” search engine (Jane Roberts)

He writes because he wants to create a unique world, one in which during the act of creation as a creator he is in charge, and yet while he is in charge he is in contact with a certain magic of creativity that gives him experience with greater realms of being. [...]

Now if you had all been really paying attention to what I have said for some time about the simultaneous nature of time and existence, then you would have known that the theory of evolution is as beautiful as a tale as the theory of Biblical creation. [...]

To some extent or another, each artistic creation, though to a lesser degree, involves the same principle. [...]

(11:00.) In this book we will be speaking about your own subjective world, and your part in the creation of events both private and shared. [...]

[...] How can this be, she wondered: If a certain number of entities were responsible for the creation of our physical world, where do the extra human beings come from? [...]

(Seth has dealt with the problem of mass-perception in the sessions on the creation of matter: 60-73, among others. [...]

New senses are developed to perceive new creations. [...]

[...] In that universe the individual has little hope for he will return to the nonexistence that his random physical creation came from. [...]

The sculptor’s creation is pragmatically realistic, in that it exists as an object, and can be quite legitimately perceived, as can your world. [...]

[...] This is the dilemma of creation. [...]

[...] For in many cases dependency is a passivity that leads to creation.

What appears to you as aggression in these terms is merely the tail end, or the apparent manifestation of creation. [...]

(Long pause.) The two of you mixed and matched your characteristics, and put them together in such a fashion that they would jointly form a completely new kind of creation, in terms of art and psychology, and this was bound to produce expansions of your consciousnesses, and stresses and strains, when you came across portions of your ideas that had not grown along with the rest of you. [...]

[...] It appears to you of course that this room and everything within it is more or less in constant existence, between the limitations of its creation or manufacture, and death or material decay. [...]

[...] For this psychic creation is spontaneous. [...]

Pluck them from the trembling trees of creation

[...] The desire for perfection is meant to lead you onward, and to make you discontent enough so that you will attempt new creations. [...]

[...] There is also a transforming process here much like the moment that we have spoken of in the creation of a painting.

[...] In the 9th session for December 18, 1963, Seth explained what we had been up to, and called our creations “fragments of our selves, thrown-off materializations of your own negative and aggressive feelings.” [...]

(During his discussion on the creation of matter, Seth used the coffee table and a wineglass in making his points about how each of us creates his own world, with its own atoms and molecules. [...]

[...] The dream did involve Saturday’s visit with the tax accountant (Jack Joyce), which in a way was a re-creation of the dream. [...]