“Seth material” search engine (Jane Roberts)

[...] In the most basic of ways, the artist cannot say where he is going, for if he knows ahead of time he is not creating but copying, or following a series of prescribed steps like a mathematician. [...]

(I might add that Seth’s capsule commentary on the reasons for her symptoms is just what I wanted, and that we ought to keep copies of it available for easy reference. [...]

(Tonight John himself told Jane that the success of Personal Reality is “phenomenal,” meaning that it has sold close to 40,000 copies hardcover its first year out.)

You cannot copy a creation, you cannot repeat it. [...]

[...] [Copy sent to Tam on January 12, 1973, of this portion.])

Now when you get a copy of this session read it and let the feelings go as rain or wind or lightening. [...]

In the Middle Ages they faithfully copied manuscripts. [...]

[...] The plans, as models, were picked up by inventors, scientists, and the like, and altered to their own specific directions, so that they emerged in your world not as copies but as something new. [...]

[...] Yet Jane did no blind copying, and almost always she quoted an excerpt rather than a complete passage from a session, for instance. [...]

[...] Rob also sent him copies of a few sessions, including some of the information we had been given about our own past lives. [...]

[...] We mailed copies of the Gallagher material to Dr. Instream. [...]

(Copy of the letter used in the 27th envelope test, in the 222nd session for January 12,1966.)

(Reduced copy of the article by Peggy Gallagher, used as the object in the 51st envelope experiment in the 256th session for May 4,1966.)

[...] Jerry agreed to go over a copy of this material and to write in wherever she thought Jane’s data applied.

[...] In the most basic of ways, the artist cannot say where he is going, for if he knows ahead of time he is not creating but copying.

(Jane received her first copy of Cézanne Saturday morning. [...]

(See the copy of the test item on page 266. [...]

[...] He copied old manuscripts, fussy as an old woman, and yet this methodical part of his nature there served him very well.

[...] The following copy represents the sum of what she said, minus my questions. [...]

(Just before we left on vacation on July 19, we received a copy of a letter from Dr. Bernard that he’d mailed to our publishers at Prentice-Hall.)

[...] He drew a map of the location of the house in relation to The Elms, however; a copy of the map is included at the end of this session, and it can be seen that the house is in the northeastern section of Elmira Heights, as well as also being northeast of Elmira, and is west of the location of The Elms.

(Copy of John Bradley’s map, concerning the Judy Fuller material.)