“Seth material” search engine (Jane Roberts)

[...] The painting is providing a mental rest, aiding in the coordination of hand and eye, and allowing him to work at certain inner challenges in a different way. [...]

[...] You only choose to focus your attention upon a highly specific field of space-time coordinates, accepting these as present reality, and closing yourselves off from all others. [...]

[...] If anything impedes this natural smoothness and coordination (pause), then all aspects of expression are in one way or another impeded. [...]

Again, I activate those coordinates that quicken health, healing, and that revive high spirits. [...]

[...] Not only did he see better, but his hand and eye coordination considerably increased, as did the flexibility of his fingers. [...]

[...] Using the lightweight carpet sweeper will also help, and aid in coordination.

[...] But now as she sat on the couch she once more had trouble coordinating. [...]

In closing: See the 593rd session in the Appendix of Seth Speaks for Seth’s material on black holes, white holes, and coordination points: “A black hole is a white hole turned inside out … The holes, therefore, or coordination points [points of double reality, or where realities merge], are actually great accelerators that reenergize energy itself.” [...]

[...] There is a point of contact where knowledge can be communicated from these various dimensions; and for too many reasons to give you now, Ruburt is precisely in proper coordinates for such communication to take place.

[...] Coordination and communication between the inner and outer ego is also a strong factor here. [...]

[...] Some incidents will occur in our sessions, and some in your coordinated nap periods, as well as in the dream state; and within a few months if these suggestions are followed.

[...] A psychic coordination, a sensitive apathy, received by the bug as to the nature of the cat, creates about the bug’s construction of the cat b-a-n-d-s in infrared, solid to both the cat and the bug. [...]

The pyramids, the huge boulders etched out (I think Seth refers here to Baalbek; I didn’t interrupt to ask), all of this was done in one way or another through the use of, a knowledge of, both coordination points in space (described by Seth in his own book) and the use of sound. [...]

[...] Again, this is difficult, because for me they operate in a more coordinated and organized pattern.

[...] (Pause.) He touched upon certain coordinates that were neurologically shared, however, by both: He and the child were familiar with the carriage and the curb, the mother who pushed the carriage, and the house into which Ruburt felt himself, as the child, being carried.

[...] An identical or nearly identical pattern may reemerge ‘at any time’ again and again, if the proper coordinates exist for activation.”

[...] She had no trouble with coordination, [could type easily enough, etc.] as she had in the January episode, when she could not even use a pen effectively for a time. [...]

(She enjoyed the exchange a great deal, she made sketches while speaking on such subjects as the many facets of the electron and its behavior; time and its variations; gravity, its changes with motion, and its attributes in the past, present, and future; the velocities of light; mathematical equations; astronomy, including perceptions by telescope of the future as well as of the past; the structure of the earth’s core; earthquakes and “black” sound/light; language, including glossolalia and her own Sumari; pyramids, coordination points, and so forth. [...]

[...] She has been, and is, a great help in organizing that mass of material, coordinating and computerizing it for researchers in a number of interesting ways that Jane and I hadn’t thought of doing “way back when” my wife was delivering the sessions. [...]