“Seth material” search engine (Jane Roberts)

[...] Those opportunities involved emotional understanding, a very close and emotional contact with a particular belief system, and a firsthand view of a certain kind of reality structure. [...]

[...] We gather that Frank isn’t particularly in favor of contacting the medical establishment, but what is one to do, I asked Jane, if one cannot bring oneself out of his or her difficulties unaided? [...]

(“I’d like to contact Joseph.” [...]

[...] He needed that extra, outside contact as others came here. [...]

[...] They were, therefore, isolated from contact with other groups. [...]

[...] Jane and I had heard of this association in a remote way, but it had no meaning for us until we committed ourselves to the hill house; the agency concerned is but one of many we’d contacted; yet also involved is our friend Debbie, who works for another real estate firm, and who had first called our attention to the hill house. [...]

[...] I’d say that to some extent at least its content flows from the proposed interview with a reporter from The Village Voice, a contact made with the business manager at WELM in town, and so forth—hardly accidental, we think, that these events connected with publicity, her work, etc., come into our awareness at this time. [...]

[...] Contacts with so-called authorities are good for both of you, so that you can see that such authorities are simply people. [...]

Multidimensional personalities can therefore establish contact at various levels. [...]

[...] Her concern and understanding also have a mental quality, as your own deepest feelings in those regards are expressed through art or writing indirectly, rather than through direct contact with others.

[...] He did not quite make contact. [...]

[...] When you give pendulum directions however other portions of your psyche come through in a loving directing fashion, and the greater contact is made than you realize.

[...] Such situations bothered the individual far more than the threat of nuclear disaster, for they involved his contact with daily life: the products that he bought, the medicines that he took.

The Turkish towel represents the private nature of the self—private attire that you might use in the bath, of intimate nature that comes into contact with the body not so much to hide it as to dry it, give it pleasure, or what have you. [...]

[...] In these cases, it seems impossible that we’ll ever be able to communicate effectively with the individuals involved, although we’re sincerely trying to understand why each of them contacted us.

[...] He completely lacks the ability to discuss normal fears and worries in any kind of neighborhood contact—with girl friends. [...]

Now: The Physical Universe as Idea Construction, mentioned by Ruburt in his Introduction, did indeed represent our first formal contact, although Ruburt was not aware of it at that time.

As Seth makes clear, however, this book is not a dry treatise about “the psyche,” but is constructed in such a way that it will put each reader in more direct contact with his or her individual psyche. [...]

The contact is only in its initial stages (pause) and the approach not sturdy enough as yet to carry full weight in your terms. [...]

[...] And I do believe that we are in contact with a source quite beyond our normal comprehension.

[...] If the projection is a success, you will instantly lose contact with the body using this method. [...]