“Seth material” search engine (Jane Roberts)

[...] The part-time job on your part was of course a compromise, but loving you, he felt it was at the expense of your creative output and purposes.

(A note: I must write that not only was I surprised that Seth opened the session with an analysis of the dream, but that I was even more surprised with the generous connotations he ascribed to it: I may love my fellow man, but often times feel that that feeling is compromised by events in our world, even though I fully acknowledge my own part in helping create that world in the most intimate detail. [...]

[...] I wasn’t about to let my art be compromised for any reason. [...]

[...] You see about you the results of such compromise, and each of you have always been determined to entirely work though the belief systems of your era. [...]

[...] He talked about owning more land, farms, etc., and that what he has, with his wife, represents a compromise as far as acreage, the house, commuting distance, etc., is concerned. [...]

[...] Our sessions began, and you managed to make other changes or compromises: you worked part time, and so did Ruburt. [...]

[...] When Jane spoke again her eyes were wide open, voice very animated.) This is a compromise method, and a good one. [...]

[...] I will not give you what you (Brad) want, but to show Laurie what a jolly fellow I am, I will make a compromise. [...]

[...] Ruburt objected enough to refuse to do a series like the Cayce books, but tried to compromise with the Dream/Seth book, which also involved him with the typing of records. [...]

[...] Since Seth didn’t want her to say transparencies, a compromise emerges in which a connection with the actual envelope object is given.

[...] Backing off from the idea of Linda because she felt it was wrong, Jane compromised with the small child data.

A job which prevents you from using these abilities is at best a compromise and at worst a soul-stunting experience. [...]

[...] It surrounded our bedroom—but even as bleary as I often was, I became acutely aware of how that serenity could be jarringly compromised by the television set, showing programs that contained their own times of day and seasons.

[...] Not only would the reader be constantly involved in looking up specific items, but we felt that the shorter notes especially would be too far removed from their intimate positions within the sessions; we wanted these to enhance individual sessions directly without getting in the way, so I worked out a compromise which offers some sort of orderly presentation without being too rigid.