“Seth material” search engine (Jane Roberts)

[...] That is why it is possible for some human beings to experience sound as color, or to see color in sound. [...] Nor is color usually heard, nor sound usually seen.

[...] Therefore these wires, if we may use a small analogy, will grow thick or thin, or change color completely, like some chameleon-like animal constantly camouflaging its true appearance by taking on the outward manifestations of each neighboring forest territory. [...]

Now you will understand why I said earlier that sound can be seen and color can be heard. [...]

[...] This accounts for much of the conflicting reports as to shape, size and color. [...]

We have been playing games for you, using pretty colors. The pretty colors that we have used have been good, they have caught your attention—as my personality captures your attention. [...]

The colors have more dimension than the simple reds and yellows that you know. [...]

Now, imagine this: Within you, there are sounds, colors, sights that stretch backward into infinity. [...]

Give some thought to experimentation, observing the nature of color in usual consciousness and in altered states. Pay attention to color in your dreams also. [...]

[...] It is colored however, perhaps with a metallic color, (pause) of silver color.

[...] “A date above … Buttons … some figures and a distant connection with skull shapes … the colors, blue and purple and green … and other round shapes.”

[...] The colors mentioned by Seth are listed in the sheet advertisement. [...]

“A rectangular item with some dark coloring on it, perhaps dark blue.” [...]

[...] A roller pan is small, bright, and shiny, and the one Rob purchased that day had been a shiny aluminum color.

(The envelope object for the 69th experiment was a colored postcard sent to us by Barbara Ingold, our neighbor who lives below us on the first floor. Colors on the front and back of the object are indicated to some degree on the tracing on page 16. [...]

[...] And many, more than one, reddish colored stamps. [...]

(One image Jane had while speaking was of Barbara’s boyfriend Dick, and of the very colorful plaid sports jacket he wore. [...]

(“And many, more than one, reddish colored stamps.” [...]

There is a coffee urn, or a silver-colored urn. [...] (Jane gestured, her eyes still closed.) The color orange used as a decoration. [...]

(“Well, do you want to say something about colors involved with the object, if any?”)

[...] This effect at once reminded me of reading that the quality of a black ink can be judged by its behavior when diluted: If a red color develops it means the ink is of inferior quality. [...]

[...] The red color was pronounced and I called Jane’s attention to it. [...]

[...] Realities that you can only perceive in terms of light can, for example, exist as sound, as motion, as color, and can have dimensions with which you are completely unfamiliar. [...]

[...] Try to think of the words, or to experience them in terms of color. [...]

[...] The color blue. [...]

(“The color blue.” [...]

[...] I told her about my very vivid and colorful dream of last night. [...] We wore very bright and colorful clothing. [...]

(Margaret Bumbalo gave Jane a colored-glass butterfly of yellow and blue-stained glass, opened flat for a wall decoration, and fastened by a suction cup. [...]

[...] He did not specify anything in particular, and so left open the doorway so that his creative intelligence could choose unimpeded by too much conscious coloring—hence his first excellent attempt at holding a plate and feeding himself, even if the plate was a paper one. [...]

[...] Certain events in the present will remind you of past ones, for example, and sometimes your memory of the past will color present events.

(“A connection with a photograph”, referred we thought to the fact that my brother took color pictures of the wedding. We visited him last Sunday at my parents’ home, in Sayre, PA, and he had expected to have the color prints with him; however they had not arrived from the processor yet, to our disappointment and his.

The “strips of color” represented however, I believe you call it, confetti. This was in many colors and in small strips.

[...] Strips of color. [...]

(“Strips of color.” [...]

(In color as usual: An odd dream that I want to note, even though I can’t recall much of it. [...]

[...] He visited us a few weeks ago, in connection with Seth and linguistics, etc., and photographed us both in color.)

[...] The tag is printed on typical card-weight stock in two colors, red and black as indicated. [...]

Now you can translate inner data into the terms of the outer senses, but always some distortion is absolutely necessary, for the very method of perception you see colors that which is perceived.

[...] The impression on the object, on the lower bottom, of very small rectangles or squares, (pause) one after another—bright, but outlined in darker color, as perhaps a transparency of some kind.

The impression of dark color, as in a negative. [...]

[...] “Now I’ve got that thing with color again,” Jane said. meaning that she can see colors better, as well as general details. [...]

[...] Believe it or not, the personal subconscious is extremely sensitive to color, and to certain vibrations given off by color and by fabrics. [...]

This applies particularly to color; and also it responds strongly in a positive or negative manner to natural fabrics, such as wools and cottons.

(“Can you tell us good colors for Jane and me?”)

The color of a room is important. Your room, the bedroom, is a good color for this purpose. Cool colors are best. Too-warm colors are detrimental, being too closely allied with earthly aspects. [...]

[...] flesh with a cold white light; there was no radiant effect, merely the changing color of the flesh itself.

[...] See the color change, see the shadows in the palm disappear? [...]

[...] Usually the changes in shape and color took place quite slowly. [...]

[...] White is a very poor color for what you are asking.” [...]

(“Rectangular object, with some dark coloring, perhaps dark blue. The color reminds me of water at night.” [...] These three points can all be included in the “dark coloring” category, and blue is given specifically by Seth.

[...] Rectangular object, with some dark coloring, perhaps dark blue. The color reminds me of water at night.

[...] Jane was aware of no color in her image; she saw the M alone.