“Seth material” search engine (Jane Roberts)

[...] Both of those gadgets turned all colors and achieved different stages of transparency and opaqueness. [...]

[...] The color and detail are vivid, even to salt and pepper shakers on the large common table in the middle.

Shapes and colors,

[...] The walls of a grayish color.

[...] The letter opener is a metal-type one, I believe of a silver color. [...]

[...] Again, the logical sequence is not present, but the intuitive creation will change the symbols much in the way that an artist might change his colors.

Fire has one meaning if you are afraid of it, another if you consider it a source of warmth; and either of these two meanings will also be colored by any of the endless variations of personal events that any individual might have encountered with it. [...]

[...] I saw the old kitchen linoleum in color, and the outside cellar roof. [...]

[...] It is merely an interpretation of reality, colored or seen through a state of limited perception. [...]

[...] I have had several vivid ones lately, including a fall tree in full color, and the head of a child with an open mouth.

Such self-disapproval can color your interpretation of events, then, forcing you to act accordingly.

[...] What does the color remind you of?

[...] I looked up the rather empty and depressing street a few doors to an evidently empty storefront with big gray-colored plate glass windows. [...]

The material follows its own flow: there are certain things I want to say, but how I say those things is colored and tinted by your own characteristics jointly, and your experience daily. [...]

[...] I saw their dark skin—in color—against short robes. [...]

[...] His mother’s colorful, emphatic and mystical characteristics gave him incentive, and generated mental and psychic activity. [...]

[...] The color yellow. [...]

[...] He wears something checked, small checks, but of a darkish rather than light, or bright, overall color. [...]

[...] Jane had written them in colored ink in one of her 4 by 6 sketch pads. [...]

[...] The primary colors of a dream should be noted. [...]

[...] You and he must see to it then (Jane pointed vigorously at me) that he does not color his experiences with me through reading material that ‘is highly camouflaged and distorted, even though the distortion is well-meaning.