“Seth material” search engine (Jane Roberts)

[...] (To go on tour.) The feeling-tone colored his other activities.

[...] Each scene was seen as though through a milky screen, but was in color and easily distinct enough to be made out. [...]

[...] In such cases, it takes on the coloration of your own thought patterns. [...]

[...] You have been so obsessed with exterior differences, especially of color and nationality, that you have completely ignored these other far more important variations in the form that consciousness takes in relation to physical life within your race — the race of man.

(Pause.) What is actually involved is a kind of paranoia, which can become such a powerful response that it can take over a person’s life, and color all projects. [...]

[...] Peculiarly, she had a mental image which she described now; while speaking for Seth she had seen, in color, blue water as in an ocean, and white sand and two people running toward the beach in bathing suits. [...]

[...] The dreams that you remember are colored or altered or even censored to a certain extent. [...]

When Ruburt replaces the bedsheets, I suggest colored ones. [...]

[...] There is a difference in your terms of skin color, his being of a purplelike cast. [...]

[...] There is some additional implication, in that he picked up your joint feelings about your friend David—but that is not the cause, simply an added coloration. [...]

Now it is difficult to explain to you how direct experience actually works, for it exists — a total field of perception, innocent of the physical clues such as color, size, weight, and sense, with which your physical perceptions are clothed.

To some extent the material on Frameworks 1 and 2 is of course an example of the entire idea, for you receive a good deal of information in sessions not given to book dictation — simply because, while our books are extremely free, still they must be colored by your ideas of what books are.

[...] Hold it for a few seconds, feel its texture, look at its color, and spontaneously give it a new name by uttering the sounds that come into your mind. [...]

5. As an artist I’m so used to observing our physical world in terms of forms, colors, shadows, shapes, and “negative shapes” — the patterns formed by areas between and around shadows or objects — that I sometimes have to remind myself of the obvious: that each individual in the world perceives it from his or her own viewpoint. [...]

[...] She realized that as a youngster she had loved her mother, and tried hard to do things for her, even when Marie had rejected her efforts say, in buying a nightgown of the “wrong” color.

[...] In an unsafe universe as given protection is necessary, and certain attitudes are accepted, coloring many areas of life, spreading out to assure that protection.

[...] You may use the same elements, as a painter might use his colors.

[...] Language therefore is bound to color your native thinking processes, so that it becomes almost impossible to wonder how you thought before you learned language.

[...] The atoms and molecules that compose it — any object — have their own identities that color and qualify any object that they form.

The art of the Old Masters escaped such connotations, largely because it involved so much physical labor—the making of colors, canvases, and so forth. [...]

[...] During such periods, as has been suggested elsewhere, the personality can merge, blend or change various aspects of his previous existences, using them as you, Joseph, use colors.

[...] Seth and Jane have both analyzed this excellent dream.² Today I’d shown Jane how far I’ve progressed with a charcoal drawing based upon the dream, with a little preliminary color added to some parts of it.