“Seth material” search engine (Jane Roberts)

[...] You hit this and threw it, but it did not fly up, and the color mixed well with the pile of leaves there. [...]

[...] Loren wore a colorful short-sleeved sport shirt and a light brown straw hat with a narrow brim. [...]

[...] She works in brilliant simple colors, obtaining her effects with porous pens whose inks she can partially blend with water. [...] We usually keep her sketches covered, however, since their colors begin to fade after a few weeks’ exposure to light.

It reacts strongly to your ideas and to its father’s telepathically, and so its inner perception of this room, say, is highly colored by your ideas of it. [...]

[...] At times the personality traits that it had earlier color this perception. [...]

[...] Jane’s list was on yellow paper, in dark ink the same color as mine.)

[...] The cat foods were of various brands, the labels brightly colored. [...]

Each moment is then like a mosaic, only in your current life history you follow only one color or pattern, and ignore the others. [...]

[...] Now, I am not on color TV this evening but we do our best. [...]

[...] … You and he must see to it that Ruburt does not color his experiences through reading material that is distorted. [...]

[...] As words would give small hint of the reality of color or sound to someone who did not experience these, so words can only give insight into the nature of reality. [...]

[...] Their messages will always be basically the same, though the times and circumstances of their communications may differ and be colored accordingly.

[...] There was no radiant effect, merely the changing color of the flesh itself. [...]

[...] ‘See the color change and the shadows in the palm disappear? [...]

[...] The color red. [...]

(“The color red. [...]

(Bill’s mother was fascinated by the relationships of numbers, Seth said, and the color blue. [...]

[...] At the end of the session Seth told the Gallaghers he had deliberately given the information about Bill’s mother being a bookkeeper and liking the color blue, in order to show them that valid information had been produced, no matter what its source.

[...] The overall emotional coloration and vitality of all of the creatures, say, within any given arbitrary environment is highly complicated, so that there is of course a psychological climate to which you react, as there is a physical one. [...]

[...] These are all highly colored and charged, however, and the stuff of physical materialization is in itself conscious and alive. [...]

(“As a male, same color?” Brown and white.)

[...] Her right eye is fine, and sees colors well, she said, but for some reason the two eyes together couldn’t read well. [...]

(On the same day we received the letter from Holland, Jane also heard from Eleanor Friede, her editor at Delacorte Press: Eleanor sent the first color proof of the jacket design for Emir. [...]

[...] Their material and messages will always be basically the same, though the circumstances and times and places of their communications may be colored accordingly.

[...] Our psychological time could be compared in terms of environment to the walls of a room, but in our case the walls would be constantly changing in color, size, height, depth and width.

[...] In the first part, she saw in a mirror that she had pink beads which she tried on to see how they’d go with the blouse she was wearing — blouse color unknown. [...]

[...] It showed a life-size, full-face figure of Bill Gallagher wearing a long dark coat, as he stood against a somewhat stylized outdoor background of pyramid shapes in bright colors—either tempera or acrylics.