“Seth material” search engine (Jane Roberts)

[...] Seth gave this in answer to my first question, concerning colors connected with the object. [...] It made such an impression on Jane that even now she does not wear shoes bearing this particular color combination.

[...] Brown and white in color, moving counterclockwise I believe, upon a small standard. [...]

(“How about colors connected with the object?”)

(“An aquamarine color also.” [...] Jane wrote the poem with a dark colored pen; the ink is actually a gray-blue, but hardly aquamarine.

[...] (Smile.) You should avoid the color red in decorations during the season. [...]

[...] An aquamarine color also.

The psychic postcards and travel folders are handy and colorful. [...]

[...] I’m getting almost jewel-like colored sounds … I’ll see what I can do with it. [...]

[...] See especially notes 7 and 10 there; chromoesthesia, or colored hearing, is defined in the latter. [...]

[...] You are used to thinking in terms of opaque or transparent color. [...]

[...] With a smile:) When you want to express darkness you might paint your canvas with black instead of your magic white (a la William Alexander), so that then the use of lighter colors upon it will indicate more clearly the quality of light, at least for the painting’s purposes. [...]

This does not mean that he was fated to do any such thing, that it would not be done more easily in other fashions, but you can see some correspondence there by looking at his (underlined) paintings, and the vivid use of contrasting colors that are not subtle. [...]

(9:50.) Later in the book we will discuss other kinds of existence in which you are also involved; and these to some extent color your intents and purposes in physical life as you now understand it.

To some degree, such inner data will be colored by the current beliefs of that part of the self most directly confronting the physical world. [...]

[...] Brown colored. [...]

[...] The dark brown color of the buildings was hard for her to see. [...]

[...] The color was much subdued at session time tonight. [...]

[...] He places his weight often upon his hands, increasing circulation there, bringing about the flush of color, but this only occurs with certain arm motions that suddenly release blood to the hands—that is, that release it more suddenly than he is accustomed to.

[...] Debbie had pointed out a photograph of it in a local real estate catalog, and we were quite aware that it bore a good resemblance to the house we’d considered buying in Sayre, Pennsylvania, in the spring of 1974.³ Besides being bungalows, both houses were of about the same age, and even of similar colors.

[...] You do not ask: “How can an apple have color and be round at the same time?”

(Long pause.) You can look at an apple and hold it in your hands, so it is obvious that its shape does not contradict its color. [...]

[...] If you ask: “How can I have reincarnational and probable selves at once?”, you are asking a question comparable to the one mentioned earlier, colon: “How can an apple have color and be round at the same time?”

[...] The color gray, and a multiplicitude of design. [...]

[...] Seth’s information following this statement connected itself with the drawing easily enough, even to the “color gray,” which arises from the shadow effect I achieved in the drawing by using closely-spaced parallel lines.

[...] He said Bill’s personal ideas were good ones; the inherent danger with them had to do with the type of salesman’s personality, the feeling of superiority and of having power over others, that might color the use of computers. [...]

(Front and back tracings of the 1959 color photograph used in the 5th envelope test, in Session 185, September 6,1965.)

(“A bright color suggesting sunlight.” [...] The sunlight reference is one occurring once in a while in the envelope data, and sometimes involves circles of bright colors. [...]

[...] A bright color suggesting sunlight. [...]

Not only this however, but certain colors as you know have their own soothing or inflaming qualities. [...]

The drug may have the effect of coloring his image, so do not be surprised at such an occurrence—a yellow or purplish tinge. [...]

(“Connection with colored paper.” [...] The color red also appears on the drawing, the data may be distorted.

Connection with colored paper, I believe. [...]

[...] “I opened my eyes now, and got that effect of better color again, where everything’s brighter.” [...]

At its poorest, communication between the viewer and the painting was lost, for a poor artist could not work that magic with lines or colors. A thorough knowledge of form was needed so that it could be represented by line or color. [...]

[...] But your experience in them will be highly colored by you, as your experience here is colored by you. [...]

[...] Each color, each line that appears within it has first been painted within a mind, and only then does it materialize without.

[...] It is a part of the action of your being and consciousness, but as the eye cannot see its own shifting colors and expressions, as it is not aware that it lives and dies constantly as its atomic structure changes, so you are not aware that the ego continually changes, dies, and is reborn.

[...] I know it is difficult to comprehend, but every object that you perceive — grass or rock or stone — even ocean waves or clouds — any physical phenomenon — has its own invisible consciousness, its own intent and emotional coloration. [...]

(“Very vivid, and in color as usual: I dreamed that I was in the kitchen of our hill house in Elmira, preparing to go outside into the back yard. [...]

[...] Tonight’s object is printed in black on lightweight card stock, which is an off-white color. [...]

(“How about colors?”

[...] This shows as a pen line on the copy on page 236; actually the border has no color in it. [...]

(The third question asked for colors connected with the object. [...]

(Jane also through the day received from Seth some material in answer to my remarks at breakfast this morning about the jacket colors chosen for Volume 2 of “Unknown” Reality. [...] She didn’t like the jacket colors.

[...] She told me that she’d often written that her vision was much improved when her symptoms were better: “The colors are great today,” etc. [...]

[...] Christ clothed those realities in colorful stories geared to people’s understanding. [...]