“Seth material” search engine (Jane Roberts)

In this case such clues were not given you. Therefore the construction was only seen by the one person to whom the inner clues were given. [...]

[...] You would, of course, have each instead constructed your own apparition, in your own space perspective; and because of the other clues usually given the three apparitions would have seemed to be one, agreeing for all intents and purposes to be similar in terms of appearance, and approximate location.

[...] Clues as to our creativity and the nature of our existence can be found there and from it emerges the organizational qualities of normal consciousness as we know it.

The relatively insignificant example of probable events and their interaction just given (in the last session) provides a few important clues to the nature of probabilities in general. [...]

[...] You accept all data that fit your theories, and ignore clues to the contrary. [...]

[...] The built-in impetuses however provide clue points. [...]

Now: as I believe I have told you often, your creativity is one of your best clues as to how you operate, yourselves, in inner reality. [...]

[...] This is merely a clue to you, and you should receive it in other locations also. [...]

[...] Now within the physical reality that you know, there are hints and clues as to the nature of other physical realities. [...]

[...] It may be accompanied by your own characteristic physical clues. [...]

Any such physical clues can help you differentiate between this state of consciousness and the usual predominating one. [...]

[...] Again, in the session there are strong clues, but you—or rather, Ruburt primarily must take advantage of them. [...]

[...] A change of policy is the clue in such cases; vacillation.

[...] I also think that a thorough search of earlier sessions would turn up many other clues, foreshadowing both eventualities.

[...] A scuba diver, for instance, explores what he finds on the ocean floor and brings us clues from this vast, submerged area. I try to do the same thing, salvaging instead clues from the hidden layers of our inner being. [...]

It’s tricky to play hopscotch back and forth between various stages of consciousness, to travel into little-understood subjective realms, explore those inner landscapes and return with any clear clues as to their nature. [...]

1. In Note 1 for the 840th session I cited an insight we’d recently obtained into the relationship between Jane and Seth, and mentioned how we’re always on the lookout for such clues. [...]

[...] In the material as a whole there are bound to be significant clues as to the nature of the human animal: creative clues that can’t help but enlighten us in many — and sometimes unexpected — ways. [...]

[...] You thrust into the background telepathic communications that often accompany such forms, and you turn aside from all clues that other realities exist quite validly with your own, and that in the midst of one existence you are surrounded by intangible but valid evidence. [...]

Such a masterly
production
makes me think instead that
there are
clues
we’ve overlooked.

(To Derek.) You are on to a clue, but you made an error. [...]

[...] And (with humorous emphasis) I am not giving you any more intellectual clues!

[...] It is, however, the subjective feeling that is the important clue here, and once you experience it there will be no doubt in your mind.

[...] One or several of these may be involved, but again your subjective feeling is the most important clue. [...]

[...] I am not using symbols in such statements, and hidden within them are important homey clues. [...]