“Seth material” search engine (Jane Roberts)

[...] A connection with 3 o’clock, I believe this afternoon.”

Eight, perhaps eight o’clock, but I am not certain here.

Clock time is one prop that even in our usual sessions Ruburt is accustomed to rely upon, though not of course to the extent that he relies upon it in the periods of more ordinary consciousness.

[...] Your painting time, I tell you—listen to me—had basically nothing to do with clock time. [...]

The very experience of passing moments belongs to your psychological rooms in the same way that clocks are attached to your walls. [...]

[...] I spent perhaps half an hour by the clock inducing the first general relaxed state, including the suggestion that Jane’s eyelids were quite heavy and relaxed. [...]

[...] Before beginning the experiment at 11 A.M., I had set the alarm clock for 11:30. [...]

After eight o’clock on the night of a session, Ruburt should take steps so that he is not concerned over the question of whether or not particular visitors will arrive. [...]

[...] That is, to this natural rhythm you have culturally added the idea of clocks, moments and hours and so forth, which you have transposed over nature’s rhythms.

[...] My God, it was short enough,” she exclaimed as she looked at the clock for the first time. [...]

I am keeping your York Beach material until later in the session, close to the ten o’clock hour.

I will suggest another brief break, as I am keeping the 10 o’clock hour in mind, and would like to start again shortly before the hour.

[...] It was September, damp and foggy in the afternoon, about four o’clock. [...]

[...] As Seth, Jane now did something rather unusual: She turned in her rocker to look at the clock that sits to her left and somewhat behind her, on our combination bookcase and room divider.)

(11:51.) You have had in the past to some extent a disdain, because of your beliefs about yourself, for people perhaps met on the streets during business or working hours, or for people who did not have jobs, or who did not punch a time clock or whatever, and it is by those attitudes that you judge yourself (intently), and find yourself wanting in the eyes, say, of your brothers. [...]

[...] The time concept in dreams may seem far different than your conception of time in the waking state when you have your eyes on the clock and are concerned with getting to some destination by, say, 12:15. [...]

[...] I have told you that as the dream is only connected by the smallest thread to your time, so also, although it is difficult, you could manage to pinpoint the apparent beginning of a dream in clock time. [...]

(As Seth, Jane looked at the clock on our bookcase.)

[...] You must by now have some idea of what it means to take so much of your clock time for our sessions.

The photograph was taken at four o’clock in the afternoon.

A connection with 3 o’clock, I believe this afternoon.