“Seth material” search engine (Jane Roberts)

He chose writing initially because of the spontaneity it offered, but his ideas of work directly conflicted with this. [...]

[...] Again, if preferable we want to record the dreams in the sequence in which they occur, so that the self-suggestion should always include “I will recall the first three dreams,” or the first five dreams or whatever number you arbitrarily chose to begin.

(I did this because in the last session Seth said he would resume his discussion of theoretical material at any point we chose. [...]

(We wondered why Seth’s entity chose to give this data, since it seemed Seth could have done so. [...]

[...] But after that, Rob often made up several test envelopes at once, shuffled them, and then chose one just before a session.

[...] One, used in this book, is a portrait of Seth in the form in which he chose to appear to Rob. [...]

[...] Our Ned chose a fish, subconsciously, for many reasons. [...]

I need your cooperation now, since the methods that I chose have fallen so poorly. [...]

[...] He chose not to deal with it however because he was not ready to face the problem, he did not feel himself capable. [...]

[...] You chose the circumstances. [...]

[...] We cannot blame God, society, or our parents for misfortunes, since before this physical life we chose the circumstances into which we would be born and the challenges that could best bring about our development. [...]

[...] Sometimes Rob chose items specifically because they had strong emotional charges connected with them. [...]

[...] If one chose to call a full levitation 100%, then our evening could be called 90% successful.

[...] At that time in your development you were afraid of emotions in art to such a degree that you chose in comics to deal with stereotypes rather than individual characters, to follow rigid patterns.

[...] Jane said she could feel him pause briefly at times to make sure that she chose just the right word while delivering the material. [...]

When he dreamed the dream, and chose this possibility as the solution to his problems, he had already subconsciously chosen which event he would construct within the physical field.

[...] You chose this experience for a reason. [...]

[...] Ruburt was also tinged by those concepts, so if he had to make a choice, he chose the writer’s cramp.

(Seth’s material earlier this evening, about responsiveness to the world, in whatever form one chose, reminded me of an idea I’d mentioned to Jane last week. [...]

Man, pursuing his own way, chose to step outside of that framework — on a conscious level. [...]

[...] As you suspect, there was no coincidence involved when you chose your Dr. Instream. [...]