“Seth material” search engine (Jane Roberts)

[...] For that reason, your dream snapshots will show you the kind of experience that you are choosing from inner reality.

[...] But if we work together, I will reserve for myself the privilege of saying to them what I choose. [...]

[...] He chooses one of these and experiences it within the physical field. [...]

[...] I had intended this to be an informal, generalized discussion, and definitely mean to mention again that the general setup of this room is now excellent, regardless of what additions or so forth you might choose to make.

[...] Why did I choose to do notes for that work, let alone publish it in two volumes? [...]

[...] It will have the ability to show these diverse effects as it chooses. [...]

[...] I’m including here a few of my favorite precognitive dreams, choosing those which exemplify various degrees of clearness and distortion. [...]

[...] Since a session was due tonight, Jane studied the letter in the event Seth would choose to deal with it this evening. [...]

[...] She told us she enjoyed the test involving a more impersonal object, in the sense that I did not choose it. [...]

[...] If you choose the proper circumstances and get the idea when the conditions are good, then you can do it now.

[...] In this same framework, as the exterior drama begins to fade and as it has left meaning, in your terms, only now as time seems to pass, then once again the interior drama arises, but this time with a new story, with a different god and with new prophets; and as the old weakens so the new interior drama begins once more to arouse man from within his dreams, and again they choose and someone appears, or two or three, and a new drama is projected into external reality. [...]

The intellect chooses from the total physical situation those elements with which the personality will ultimately have to deal. [...]

[...] You can choose to ignore the blueprints. [...]

[...] Dreams may well represent us at our most creative, for not only do we process the past day’s activities, but we also choose tomorrow’s events from the limitless probable actions that are presented to us while the waking self is still.

The waterfall represented physical death on this level, you see, both of you dying, your brother and yourself; but he first and already adopting the birth position, for he will choose another life rather quickly. [...]

[...] Often you do not want to see the body by itself, so to speak, and so you choose methods that make this more difficult. [...]

[...] For that matter, a personality can choose to ignore the problems completely, though this is at best a cowardly solution and simply holds the personality back. [...]

YOU MAY CALL ME WHATEVER YOU CHOOSE. [...]

[...] That, I’m sure, is a privilege I’ll have full freedom to carry out, if I choose to. [...]

[...] In short, I believe there’s no end to our abilities in whatever reality we choose to create and explore.

[...] Surely the artist could have, would have, insights into such existences but for a number of reasons—fear of ridicule, for example—choose not to investigate them. [...]

[...] I thought of its enormous beauty and energy, the creative energy that sustains us all, in whatever form we choose to create and to live by and with. [...]

[...] Put this in the record or not as you choose.