“Seth material” search engine (Jane Roberts)

(Right after that people came in to check her vitals. [...]

Other substitutes may prove adequate and effective, while offering more opportunity for checks and balances. [...]

(At 11 p.m., as I was about to begin copying checks from Maude Cardwell, Frank Longwell visited, and we talked about how to fix the back yard when the trees are gone. [...]

[...] We don’t know if it can be checked out. [...]

There are definite points—and check the old sessions—where emotional resistances will be reached and he will want to cry during the sexual encounter. [...]

[...] He is a friend; visiting us over the Christmas holidays, he urged Jane and me not to wait too long before making personal inquiries at the bureau, to check and see if they had received my application. [...]

[...] To help the bureau check I enclosed the number from the money order stub, mentioned the amount of the money order, etc.

(During this break Jane and I checked one point we had thought of since the last session, and this was the amount of light available in the room during the time Bill Macdonnel and I had noted the change in Jane’s features as she stood in the bathroom doorway.

[...] I had neglected to check this point at the time of the session.

Again, in one night’s session I am giving you what I believe is the most important information, whether or not you can check it out...

[...] (and this is more important than) 10 pages of notes and dates that you cannot check, since the lives were so long ago. [...]

(Jane and I were both impressed that we received checks totaling more than $900 from Maude Cardwell yesterday. [...]

[...] Nor is she sure how she could check out personal material of this kind. [...]

[...] I checked the road half an hour later, and it seemed okay. [...]

[...] You had other wives afterwards ...I’m trying to get something you can check, but it’s so long ago you can’t ...but the emotion is fantastic. [...]

[...] Some of the data is self-explanatory when checked against the article.

[...] When Jane and I visited the gallery window to check out this data before writing it up, we noted the three colors mentioned above in this particular sculpture—white, blue, gray.

[...] Now there are countering body impulses, and a constant set of checks and balances where the mind is meant to take another look, or where the body says that the biological integrity is in jeopardy. [...]

[...] have but a few sessions left to check on the copy-edited manuscript for Mass Events. [...]

[...] He elaborated upon some of Seth’s data; later, I checked portions through various reference works. [...]

[...] Rob had even touched the hand at one time, and Seth had given us many occasions to check effects as they occurred. [...]

[...] (As you will see, however, Seth appeared in apparition form in session #68.) From then on, we always kept lights on for easier checking of any effects that might appear.

(We could make other connections but they would require checking out, and extra time. [...]

[...] Perhaps I can check without being obvious about it.

[...] At times because of the faster pace during this session, I may have missed a word here and there, but only to a slight degree; this can always be checked against the tape the Milligans made.

[...] This typed version can also be checked by them and any necessary changes made.

[...] “It never occurred to me,” I said, to actually call Leonard and check up on him.”