“Seth material” search engine (Jane Roberts)

Your own creativity being applied in this new fashion will also show its results in your painting and writing, for it adds a new cast, not only to your understanding of creativity, but to its application.

[...] He is quite open often, say, to making love, as you know now, but earlier you colored your reaction to him often through the pessimistic cast that both of you had allowed to slip over your perceptions.

[...] It is almost, at least, as if you decide to take so many hours a day and struggle with a physical condition, through whose unique cast you would view your private reality and that world. [...]

[...] To the child a parent seems like God and, therefore, a child feels guilty, feels afraid that the parent will cast him out, particularly the mother, so the child then feels he will be completely abandoned. [...]

They cast their light over historical events because they are responsible for those events. [...]

[...] Because thoughts and emotions, as electrical actualities, are independent from their subjective point of origin, a given thought or emotion, initiated by an individual, may be rejected by him and cast out. [...]

I am casting about to see what I have missed of importance. [...]

[...] Their die is cast, so to speak: They have already begun the special kind of screening process necessary that will bring about physical form. [...]

[...] In about a half hour the same mental activity returned, and, finding himself struck by this, Ruburt mentioned the episode to Joseph and again cast it from his mind.

[...] He felt that you also expected him to cast aside such feelings, particularly if they did not correspond with your own. [...]

This artistic sense of responsibility was given a thicker coat by what seemed to be psychic responsibility: it seemed to Ruburt that he should use his abilities primarily to help others, or to help solve the world’s problems, or to cast some light into man’s condition. [...]

[...] You have cast your idea of god, therefore, in your own image.

[...] You experience reality through the cast of those abilities and characteristics, but you also stamp the universe with that particular imprint of individuality that is your own, and you attract those events that are suited to your nature and no other.

(11:59.) Because that state is also connected with waking life, you also take into it many of the elements of your daily existence, so that your recalled dreams are often cast in fairly conventionalized terms. [...]

[...] In that light, as in the Catholic one, the female’s guilt is seen as even larger than the male’s. So that additional pressure is cast upon the women, who are indeed seen as spiritually inferior—or (underlined) on the other hand painted as pure, pedestal-like individuals in the manner of the Blessed Virgin. [...]

[...] They had interrupted her train of impressions, in which she was casting about freely, and she had felt she was on the verge of a projection that could have been most instructive. [...]

[...] She’d never had the leg in a cast or sling, as she had the arm. [...]

[...] Words, however, can be very elusive tools, and vary from language to language, although intrinsically through the Seth material Jane conveys depths of meaning that continue to develop within whatever language others may cast it. [...]

[...] The other ideas I mentioned, to some extent now cast an unclear light, so that the attitudes they evoke are in conflict with your original, most persuasive goals.

(In the same average voice she began: “In the shadow of the image organized religion [at the same time my hands want to fly up], after it has been set up, has always been afraid of revelationary knowledge; to protect itself; and the Catholic Church in particular cast it in the form of a devil, which I was taught: the sin of pride, wanting to learn.”