“Seth material” search engine (Jane Roberts)

[...] You may use your career instead. [...]

([Rick:] Seth, this is a little changing the subject just a bit, but I’ve been very interested about your comments about the dream art scientists and mental physicists as being some of the careers that I have been interested in.

[...] At the same time I told myself the low pay prevented me from ever deciding to make a career of it there, and let it go at that.)

[...] At the same time he had not found himself yet where he wanted to go with his own career. [...]

[...] I mentioned to Jane now my curiosity as to whether my artistic career had any connection with my Denmark life. [...]

6. From her viewpoint my mother was, indeed, quite baffled when I turned away from a well-paying career in commercial art toward a very risky one in “fine art,” or painting. [...]

(Loudly:) There are those who make careers of condemning the faults and failings of others, or of the species itself, and because of that attitude man’s great energy and good intent remain invisible. [...]

[...] Better in fact than usual, and he, at least, will consider it one of the high points of his career.

(Below this on the same page a brief resume of Paula Gerard’s professional career is given. [...]

[...] There was some kind of disagreement as to Bill’s choice of a career [Bill had left the Navy not long before], an argument with Bill’s father; ever after that Bill didn’t get along with his father. [...]

[...] Certainly not career-wise. [...]

Some people structure their lives around their children, others around a career, or pleasure, or even pain. [...]

[...] Some of you are embarked upon adventures that deal with intimate family contact, deep personal involvement with children, or with other careers that meet “vertically” with physical experience. [...]

[...] As an analogy, this would be as if you lived, say, the life of a rich man of great talent, the life of a poor man and the life of a mother and career woman. [...]

[...] She was 27 years old, and most pleased with the beginning of her professional career. [...]

[...] Last July my agent, Tam Mossman, phoned to ask that I search Jane’s papers for a manuscript he remembers her submitting to him some seventeen years ago, when he had been a young editor just beginning a career with Prentice-Hall. [...]

[...] All knew of Jane’s abilities, of course, her growing career with its attendant publicity, but that was only a minor subject amid wide-ranging discussions. [...]

[...] When we met, John had little interest in an operatic career, as far as I recall, yet had taken professional singing lessons and given auditions. [...]