“Seth material” search engine (Jane Roberts)

(“A card written on both sides.” The drawing used as object is done on a porous paper that is somewhat thicker than most papers, yet is not actually card stock. [...]

[...] A card written on both sides. [...]

[...] However, the word may have to do instead with, for example, type on a card.

[...] I’d wanted Seth to comment on my first art dream, the one involving greeting cards, but he hasn’t done so yet. [...]

The dream representing the card with the double message can also be applied in a different manner to your painting. [...]

[...] There were things I could do to rectify this though; and in the dream I did this, and awakened....a card table was involved somehow. [...]

[...] Work with the ESP cards will be beneficial to both of you, since as you progress you will, through certain subconscious cues become aware of varying circumstances that will enable you to feel when you are coming through.

(Jane had done well today, working alone with the ESP cards. [...]

[...] We also rather thought two participants were necessary to get good results with the cards.”)

(A brief account for possible future use: Around November 17 we received a postcard from Carlos from his winter mooring berth in Alicante, Spain; card dated November 10. [...]

(Carlos Smith’s card from Alcanti, Spain.)

(It may simply be that Seth was referring to a foreign publisher in any European country, as one of the ingredients in this story of the workings of Framework 2. Card from Carlos attached to this session for reference if needed.)

[...] She spoke as, following Seth’s suggestions, we sat at the round card table in the living room, waiting to see what might develop. [...]

[...] Jane said that while I was shopping today she’d dreamed or felt herself walking around the card table—not perfectly straight, but as though testing her weight upon her legs. [...]

(To Gert.) Now I am not giving out report cards. [...]

[...] In my school days I did not have a drawing table, but worked bent over at a card table in the front upstairs room, with a small drawing board in my lap, resting on the edge of the card table. [...]

[...] I did both at the card table. [...]

(See page 7 of the 240th session for the envelope data on the AAA card used as the object. The card bears the expiration date, and Jane got at the idea of this by gesturing boldly with her arm, finishing up the several lines of data with “as something canceled.” [...]

[...] This gray-brown leaf had been taped to the shade on my lamp at work for well over a year; originally I had used it as a model in doing some artwork for a Christmas card. [...]

[...] Ezra had worked at my place of employment, Artistic Card Co., for many years.)

[...] He still feels badly because he does not have your card, but your card will be two books.

(Today in the mail Jane received a group of file cards, prepared as an index by Blanche Price for the copies of poetry Jane had sent her over the years for safekeeping. Blanche died last February 2, 1967, and the cards were sent to Jane by Blanche’s friend, Anne Healy; Anne wrote a letter, also, that Jane received on January 2.

[...] A card. [...]

[...] There can be a connection with the black color of the suit of spades in a deck of playing cards, and the black of the object.

(“A card.” [...]

[...] These cards are mentioned on page 40 of the 243rd session; this gave me the idea of using them for an experiment. Jane had read the 243rd session recently but had not seen the cards. [...]

[...] Originally both cards were the same size, and contained two paragraphs of information. For some reason I do not recall now I clipped the second paragraph off one of the cards. [...]

[...] Types one, two and three polio vaccines are referred to on the cards, but this leaves the five to be explained. [...]

(“Well, you’d better come over here [to the card table] and let me take a stab at it before I fall asleep,” Jane said at 8:07. [...]

[...] “Boy, it sure seems like a strange night to me,” Jane said as we sat waiting for a session at the card table at 8:27. [...]

[...] Second of all, there was quite separately an association because of the size of the card given as test object. In the second case the association was Ruburt’s, for on his own he picked up a file-card image, but he translated this into the image of a box in which such file cards are often kept.

[...] He sits now (at 10:09) at a table like a card table, I believe alone, with a game of some sort before him, or at least with a board such as a checkerboard. (Pause.)

[...] If you give me for example a card that was sent with love, then the love is far more real to me than the card. [...]

[...] She dropped in for a visit, bringing a pudding cake and a Christmas card to her from an old friend-classmate of Marian’s; Marian had seen her friend last year for the first time in 15 years. On the card the feminine friend asked Marian to tell Jane that “the books” had changed her life for the better. [...]

[...] Dr. Instream also mentioned his difficulty in attempting to repeat an experiment with ESP cards, involving odds of a million-and-a-half to one. [...]

[...] It is a humorous drawing made by Ann Diebler, who works in my office at Artistic Card Co.; Piggie, incidentally, refers to pigeon. [...]

I have some impressions concerning the ESP cards. [...]

[...] This letter too is written on a card. The front of the card contains a picture of three cherubs singing. [...]

[...] Jane believes the note was actually written on the back of a birthday card. [...]

A connection with a woman and a card.

(“Who is the woman referred to in the card and portrait?”)

(“A connection with a woman and a card.” [...]