“Seth material” search engine (Jane Roberts)

“I see myself, then, as one of the people involved in the thinking up and making of the typefaces. I see a large, sort of beefy man with a red face, sitting at a piece of furniture like a drafting table, carefully cutting out these characters. He had fingers like sausages; people in town were always amused that he was so big and worked with such small pieces. He made them out of wood, I think, and they served as molds or models that ended up cast in metal. He rubbed a substance on the wood grain to protect it. But using these models gave the alphabets some kind of standardization.⁵

“Sure, I was a Sumari then, too. I’ve always been one. I’ve always had the knowledge of Sumari, I think … Funny — I don’t know how to describe it, really, but I feel that through all of my lives at least one of my functions has been to act as a sort of catalyst between the Sumari and other families of consciousness. I seem to have played roles where I’d get involved with people in other families, then lead them over to the Sumari. At least that way different groups made contact and learned from each other.”⁷

[...] Your tree builds up a composite of sensations of this sort, sensing not the physical dimensions of a material object, whatever it is, but the vital psychic formation within and about it.