“Seth material” search engine (Jane Roberts)

“When I first mentioned the family name, Grunaargh (as Seth spelled it out for us in that session over three years ago), I knew that its members had something to do with printing, or the promulgation of printed material. Since at the time I was working as a typesetter,² I figured my impression had derived from that. However, after that session my impression ‘grew’ in such a way that I knew this family had something to do in a more direct way with the printing process — with the fascination of putting ideas down on paper through the use of typefaces that would, as much as the language involved, express the ideas behind the words themselves. In the plant where I worked at the time, I ‘recognized’ several people in the Grunaargh family — all were printers — and with a feeling quite as strong as the recognition I had for Sumari.

“When Seth listed the families of consciousness last January,³ but didn’t include the Grunaargh, Rob asked him about it in the 738th session. In Jane’s final class, Rob read Seth’s explanation having to do with family ‘mergings.’ Right away, right there in class, I knew what was behind the feeling I’d had about this family: Members of the Grunaargh, and I personally, were involved in the invention of movable type. I write ‘were’ out of habit, because I have this delightful feeling that my printing, writing, and newspaper interests now are what led me to be drawn to the same things back then, even as my work there caused me to be interested in the same things now — an exchange across the board.

“My heavyset friend was filled with the thrill of knowing that now words would spread faster. This is hard to specify, but he had the same feeling I have now about newspapers — the daily spreading out of ideas, and the kind of tremendous power behind that ability … I can see that corner of his shop/work area clearly in a half-light, illuminated by a candle in an enclosed mesh lantern sitting on a tabletop. This man had several apprentices, and he was a real artisan, putting ideas across in the form of movable type. I know that Gutenberg is credited with this invention, and probably rightly so; but I also feel this as one of those discoveries that appeared in several places at once, and that my beefy fellow’s shop was in the general vicinity of Gutenberg’s — in Germany? I can’t recall. This idea was ‘shared’ in many places at once, then.⁶