2 results for (book:ur2 AND session:712 AND stemmed:dead)
hole
sound
massive
particles
atom
(Pause at 10:50.) “… [this core is] always surrounded by these faster-than-light particles. This is a structure … but it does cause a pulling-in or wrinkling effect where it appears. There are many of these, I think, in our galaxy as well as others. Nothing can be drawn through the dead hole, though, as things can be drawn through the black hole, because of [the dead hole’s] literally impenetrable mass. Now as with atoms alone, and all other such structures, these also exist as sound.10 Black holes and white holes do also.11 The sounds are actually characteristics that act as cohesivies, characteristics automatically given off. The slower center portions of the dead holes themselves move backward into beginnings becoming heavier and heavier.”
(11:05.) “As the core goes backward — in quotes — ‘in time,’ however, it begins to accelerate. I don’t know how to put this. When it emerges in another universe, the faster-than-light particles have slowed down, and the core becomes faster than light. The dead hole is repeated in microscopic size — that’s small, isn’t it? Before the emergence of the atom … oh, dear … as an analogy, you could say that the dead hole we’ve been talking about emerges as an atom in another universe. But it’s the stage before the appearance, or the stage from which an atom comes.
(The day after this session, Jane greatly enlarged upon her original estimate — three hours — of the time she’d need to interpret the long or slow sounds. Now she felt that “to do proper justice to them would take years — centuries perhaps.” Because of our ordinary time sense the sounds were actually so slow to us that they appeared to be motionless, or “dead,” she told me, leading us to speculate that this may be one of the reasons why in usual terms we call inanimate matter — rocks, for instance — “dead.” But Jane couldn’t really define any sources behind last night’s material, beyond calling them “consciousnesses, or beings — but maybe not personalities as we think of that term.” Then, again increasing her estimate, she said that if “they” tried to communicate with us through sound, through our sensual equipment, “it would take forever.”