“Seth material” search engine (Jane Roberts)

In one way or another all of Seth’s books are elaborations of that basic message, stated nine months after his sessions with us began in December 1963. It should be obvious that the two volumes of “Unknown” Reality are further ramifications of that thesis, for here Seth shows us the usually invisible psychological dimensions that underlie the known world. He reveals the very structure upon which our free will rests: for if events were immutable or fated, no free will would be possible.

Now it seems that my own purposes in preparing these volumes were too gargantuan to ever accomplish more than partially. I wanted to show the ever-widening vital reactions that Seth’s dictation of “Unknown” Reality had on our personal lives, and how those effects rippled outward. It’s almost impossible to describe the creative frustration I sometimes felt — for no matter how fast I worked to record the sessions themselves, noted our day’s activities, hunted down the references pertinent to a given discussion, I couldn’t truly keep up: Reality kept splashing over the edges of my notes. New events kept happening, surfacing from usually hidden dimensions.

It seems clear now that Seth knew all along that this would happen. The creative explosions begun with these books still erupt, for “Unknown” Reality does seem to have a life of its own, one that defies definition, and that even now serves as a springboard for new psychic and creative experience. Talk about probable realities! This manuscript seems to possess dimensions that place it — and Jane and me — in many probabilities at once. As I type its pages for the final time, I’m back at our old Water Street apartments, and in our new “hill house” at once; I’m referring to 1975 sessions and recording Seth’s dictation on his latest book as well. Sometimes I feel like saying: “One reality at a time, please.”

In any case, I feel that the entire production, Seth’s dictated work and my running commentaries and references, adds up to extra dimensions of creativity that can be sensed, if not described. When I get that feeling of psychological multiplicity, I realize that the goal I had in mind was at least somewhat realized.