“Seth material” search engine (Jane Roberts)

Seth told us ahead of time, of course, that “Unknown” Reality would follow an intuitive and inner organization rather than a linear one, and that this writing method would itself arouse the creative, revelatory characteristics of the psyche. Material on any given subject may start, go on for a while, then either stop almost in mid-sentence or “evolve” into another topic. Yet underneath, the books ride securely upon rhythms that reflect the psyche’s deep resources.

Now it seems that my own purposes in preparing these volumes were too gargantuan to ever accomplish more than partially. I wanted to show the ever-widening vital reactions that Seth’s dictation of “Unknown” Reality had on our personal lives, and how those effects rippled outward. It’s almost impossible to describe the creative frustration I sometimes felt — for no matter how fast I worked to record the sessions themselves, noted our day’s activities, hunted down the references pertinent to a given discussion, I couldn’t truly keep up: Reality kept splashing over the edges of my notes. New events kept happening, surfacing from usually hidden dimensions.

It seems clear now that Seth knew all along that this would happen. The creative explosions begun with these books still erupt, for “Unknown” Reality does seem to have a life of its own, one that defies definition, and that even now serves as a springboard for new psychic and creative experience. Talk about probable realities! This manuscript seems to possess dimensions that place it — and Jane and me — in many probabilities at once. As I type its pages for the final time, I’m back at our old Water Street apartments, and in our new “hill house” at once; I’m referring to 1975 sessions and recording Seth’s dictation on his latest book as well. Sometimes I feel like saying: “One reality at a time, please.”

In any case, I feel that the entire production, Seth’s dictated work and my running commentaries and references, adds up to extra dimensions of creativity that can be sensed, if not described. When I get that feeling of psychological multiplicity, I realize that the goal I had in mind was at least somewhat realized.

The luxurious creativity displayed by Seth’s and Jane’s work raises more questions about the abilities of the psyche than it seems we can ever hope to answer. Despite the different lights in which Seth may be regarded, despite the varying degrees of reality his existence may be granted by others, there can be no doubt of his individuality or productivity as it’s displayed in his books.

And again, at latest count Jane has written three books (including Psychic Politics) since Seth began “Unknown” Reality — and worked on several others — so what is the relationship between the human psyche and such “other” sources of creativity and knowledge?

Whatever or whoever Seth is, or whatever the nature of the Seth-Jane relationship, we long ago decided that we could learn from it. No need to dogmatically insist upon reincarnation as being a “fact,” or upon the existence of Seth’s counterparts or the families of consciousness. In the material as a whole there are bound to be significant clues as to the nature of the human animal: creative clues that can’t help but enlighten us in many — and sometimes unexpected — ways. I deal with some of the material we’ve acquired about the Seth-Jane relationship in Appendix 18 for Session 711, in Section 4; but here I want to stress our overall interest in knowledge, whatever that knowledge may be, and wherever it may lead us.