2 results for (book:ur1 AND session:695 AND stemmed:privat)

UR1 Section 2: Session 695 May 6, 1974 3/36 (8%) photograph species probable picture specimen
– The "Unknown" Reality: Volume One
– © 2012 Laurel Davies-Butts
– Section 2: Parallel Man, Alternate Man, and Probable Man: The Reflection of These in the Present, Private Psyche. Your Multidimensional Reality in the Now of Your Being
– Session 695: Practice Elements 2–5. A Session of Exercises for the Reader
– Session 695 May 6, 1974 9:29 P.M. Monday

[... 15 paragraphs ...]

Examine the event as you know it. Then try to trace its emergence from the thread of your own past life as you understand it, and project outward in your mind what other events might emerge from that one to become action in your probable future. This exercise has another part: When you have finished the procedure just given, then change your viewpoint; see the event from the standpoint of someone else who is also involved. No matter how private the experience seems, someone else will have a connection with it. See the episode through his or her eyes, then continue with the procedure just given, only using this altered viewpoint.

[... 11 paragraphs ...]

When you see a picture of an animal in its environment, you often make connections that you do not make when you see a picture of a human being in his or her environment. Yet each location is as unique as the habitat of any animal — as private, as shared, as significant in terms of the individual and the species of which that individual is a part. Simply to stretch your imagination: When you look at your photograph, imagine that you are a representative of a species, caught there in just that particular pose, and that the frame of the photograph represents, now, “a cage of time.” You, from the outside looking down at the photograph, are now outside of that cage of time in which your specimen was placed. That specimen, that individual, that you, represents not only yourself but one aspect of your species. If you hold that feeling, then the element of time becomes as real as any of the other objects within the photograph. Though unseen, time is the frame.

[... 4 paragraphs ...]

As you are looking at one photograph in your personal history, that represents your emergence in this particular reality — or the reality that was accepted as official at the time it was taken — so you are looking at a picture of a representative of your species, caught in a particular moment of probability. That species has as many offshoots and developments as you have privately. As there are probable selves in private terms, there are probable selves in terms of the species. As you have your recognized, official personal past, so in your system of actuality you have more or less accepted an official mass history (see Note 2). Under examination, however, that history of the species shows many gaps and discrepancies, and it leaves many questions to be answered.

[... 2 paragraphs ...]

UR1 Section 3: Session 695 May 6, 1974 3/22 (14%) Mama Papa ancestors children official
– The "Unknown" Reality: Volume One
– © 2012 Laurel Davies-Butts
– Section 3: The Private Probable Man, The Private Probable Woman, The Species in Probabilities, And Blueprints for Realities
– Session 695: Practice Elements 2–5. A Session of Exercises for the Reader
– Session 695 May 6, 1974 9:29 P.M. Monday

THE PRIVATE PROBABLE MAN, THE PRIVATE PROBABLE WOMAN, THE SPECIES IN PROBABILITIES, AND BLUEPRINTS FOR REALITIES

[... 4 paragraphs ...]

— to be called (pause): “The Private Probable Man, the Private Probable Woman, the Species in Probabilities, and Blueprints for Realities.”

Give us a moment … We have been using Ruburt and Joseph’s private experience here. For now, however, I would like each reader to consider the members of his or her family, so that in a more direct fashion the reader can find in private experience a realization of some ideas I want to present.

[... 14 paragraphs ...]

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