2 results for (book:ur1 AND session:695 AND stemmed:environ)

UR1 Section 2: Session 695 May 6, 1974 3/36 (8%) photograph species probable picture specimen
– The "Unknown" Reality: Volume One
– © 2012 Laurel Davies-Butts
– Section 2: Parallel Man, Alternate Man, and Probable Man: The Reflection of These in the Present, Private Psyche. Your Multidimensional Reality in the Now of Your Being
– Session 695: Practice Elements 2–5. A Session of Exercises for the Reader
– Session 695 May 6, 1974 9:29 P.M. Monday

[... 25 paragraphs ...]

Now: Choose another photograph. I want you to look at this one somewhat differently. This should also be a photograph of yourself. See this as one picture of yourself as a representative of your species in a particular space and time. Look at it as you might look at a photograph of an animal in its environment. If the photograph shows you in a room, for example, then think of the room as a peculiar kind of environment, as natural as the woods. See your person’s picture in this way: How does it merge or stand apart from the other elements in the photograph? See those other elements as characteristics of the image, view them as extended features that belong to you. If the photograph is dark, for example, and shows shadows, then in this exercise see those as belonging to the self in the picture.

Imaginatively, examine your image from the viewpoint of another place in the photograph. See how the image can be seen as a part of the overall pattern of the environment — the room or furniture, or yard or whatever.

When you see a picture of an animal in its environment, you often make connections that you do not make when you see a picture of a human being in his or her environment. Yet each location is as unique as the habitat of any animal — as private, as shared, as significant in terms of the individual and the species of which that individual is a part. Simply to stretch your imagination: When you look at your photograph, imagine that you are a representative of a species, caught there in just that particular pose, and that the frame of the photograph represents, now, “a cage of time.” You, from the outside looking down at the photograph, are now outside of that cage of time in which your specimen was placed. That specimen, that individual, that you, represents not only yourself but one aspect of your species. If you hold that feeling, then the element of time becomes as real as any of the other objects within the photograph. Though unseen, time is the frame.

[... 7 paragraphs ...]

UR1 Section 3: Session 695 May 6, 1974 1/22 (5%) Mama Papa ancestors children official
– The "Unknown" Reality: Volume One
– © 2012 Laurel Davies-Butts
– Section 3: The Private Probable Man, The Private Probable Woman, The Species in Probabilities, And Blueprints for Realities
– Session 695: Practice Elements 2–5. A Session of Exercises for the Reader
– Session 695 May 6, 1974 9:29 P.M. Monday

[... 9 paragraphs ...]

Now: Think of your ancestors, yourself, and your children as members of one tribe, each journeying into different countries instead of times. Culture is as real and natural as trees and rocks, so see the various cultures of these three groups as natural environments of the different places or countries; and imagine, then, each group exploring the unique environment of the land into which they have journeyed. Imagine further of course that these explorations occur at once, even though communication may be faulty, so that each group has difficulty communicating with the others. Imagine, however, that there is a homeland from which our groups originally came. Each expedition sends “letters” back home, commenting upon the behavior, customs, environment, and history of the land in which it finds itself.

[... 11 paragraphs ...]

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UR1 Section 3: Session 697 May 13, 1974 brotherhood idealizations species cells photograph
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UR1 Section 1: Session 687 March 4, 1974 probable neurological shadowy geese race