2 results for (book:ur1 AND session:686 AND stemmed:tranc)
neurological
selectivity
carriage
pulses
corporal
(11:26. Actually, this was one of those times when it seemed that I could have continued note-taking indefinitely. Seth-Jane certainly appeared able to keep going. Jane had been in trance for an hour and forty-one minutes, but even so she was out of it rapidly. “The trances have changed since he started this book, though,” she said. “Once I get on the right track, Seth just keeps going, and I don’t want to change it or get off … I think it’s a great development. But you know: If you think you’re on to something no one else has, you’re afraid you’ll be called batty by the rest of the world … Seth is a great organizer, though. It’s like there’s a tremendous amount of work being done behind the sessions, so I can get the data — but this isn’t like the channels from Seth [as described in the 616th session in Chapter 2 of Personal Reality].”
(As Seth, Jane was enunciating the material very carefully, almost syllable by syllable, as though to give me time to write down without error. Her diction in trance is usually excellent, though; it’s not often that I have to ask her to repeat a word or phrase.)
(I shook my head, no. Jane had been speaking for Seth for three-quarters of an hour, and showed no real inclination to stop. As in the other sessions of this book, I was aware of an extra charge or impetus, an added determination on Seth-Jane’s part. Now in trance, Jane was going through these complicated sentences without trouble, even indicating punctuation.)
(I felt all right, but Jane, still in trance, held up her empty cigarette pack. She waited quietly while I got her a fresh one.)
appendix
neurological
leap
messages
vocabulary
(I’d like to add here that the flood of material issuing from Jane lately, both in and out of trance, has been extraordinary — and I note that as one who is used to her strong bursts of creative activity. [...] She’s also been very active in her ESP class this month, with extensive singing in Sumari — which is her own musical trance language1 — and with long sessions via Seth in each class; the transcripts of some of the latter have run to five or six single-spaced typewritten pages. [...]