“Seth material” search engine (Jane Roberts)

The painting also, innately now, involves going outdoors, though you seldom paint from nature out in the landscape. Nevertheless, you would be determined to be free enough to do so. The sportsman that you might have been still lives within you enough so that, for example, you automatically stay trim and limber.

Your father’s creativity, as mentioned [in earlier, unpublished sessions] had its side of secrecy, privacy and aloneness … you identified creatively with his private nature. The writing self became latent as the sportsman did, yet the writing self and the artist were closely bound. You felt conflicts at times. It never occurred to you that the two aspects could release one another — one illuminating the other — and both be fulfilled. Instead you saw them as basically conflicting. Time spent writing meant time not spent painting. You believed the painting self had to be protected … as you felt that your father had to protect his creative self in the household …

Ruburt’s writing abilities have blossomed because of his psychic experiences. Your painting abilities have also … The psychic breakthrough did not just occur. Your deepest natures called it out of the probable sequence into your joint reality — for a reason, because each of you knew that it could best help you to develop all of your respective abilities to their fullest, and also help others.

[...] Ruburt’s mystical nature was such a strong portion of the entire identity that in his present reality, and in the probable reality chosen — as mentioned when I discussed this picture (of Jane) — the mystic impulses and expressions were given play. [...]

[...] In terms of energy, this multiplication of selves is a natural principle. [...]

[...] Both of your parents imbued the third son with the strongest emotional qualities of their natures. [...]

Linden was the one “natural” child of this marriage. [...]