“Seth material” search engine (Jane Roberts)

Give us a moment … Your father’s inventiveness would also be used in the same manner, as source material, by whichever self you chose to become. There are many choices. I am using here three only to show you how those primary aspects of your personality operate now in your present condition …

Your father’s creativity, as mentioned [in earlier, unpublished sessions] had its side of secrecy, privacy and aloneness … you identified creatively with his private nature. The writing self became latent as the sportsman did, yet the writing self and the artist were closely bound. You felt conflicts at times. It never occurred to you that the two aspects could release one another — one illuminating the other — and both be fulfilled. Instead you saw them as basically conflicting. Time spent writing meant time not spent painting. You believed the painting self had to be protected … as you felt that your father had to protect his creative self in the household …

Your mother loved physical reality and took the greatest pleasure in its most minute aspects, for all of her complaints. [...]

[...] She schooled herself rigorously, moved in social circles, hid the unschooled, naive aspects of herself. [...]

[...] There were three offshoots: one, the nun, with mysticism conventionally expressed, but under guarded circumstances; one, the writer who veiled mystical experience through art; and one, the Ruburt you know, who experienced mystical experience directly, teaches others to do the same, and forms through writing a wedding of the two aspects. [...]

5. Jane is now working on the final draft of her own theoretical work on psychic matters, Adventures in Consciousness: An Introduction to Aspect Psychology. [...]