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TSM Chapter Eight 10/94 (11%) test Rob portrait Instream impressions
– The Seth Material
– © 2011 Laurel Davies-Butts
– Chapter Eight: A Year of Testing — Seth “Looks Into” Envelopes and Gives Rob a Few Art Lessons

[... 12 paragraphs ...]

The above impressions referred to the test object itself. Now here are some about the page from which the object was taken. Seth said, in consecutive order: “A method of disposal … Something in the vernacular … Gubatorial.” (I was after the word “gubernatorial” here, but as usual Rob recorded it the way I pronounced it in trance.)

[... 4 paragraphs ...]

Refer to the illustrated section for reproductions of the test item and the page from which it was torn. Both sides of the test item contained portions of advertisements that were tied in with election day, yet the words “Election Day” didn’t appear on the object itself at all—only on the whole newspaper page that had lain on a high shelf of Rob’s studio bookcase.

[... 9 paragraphs ...]

This test brought several questions to mind at once, though. How had Seth picked up the information about the entire page, when only a small section of it was in the test envelope? Had some kind of projection on my part been involved, back to the studio bookcase? Seth hadn’t first given impressions of the envelope object itself, then neatly moved on to deal with the entire page; he had shifted back and forth between the two, as if viewing both at once. And why had he not confined his data just to the envelope object?

[... 4 paragraphs ...]

About the tests in general, Seth said: “I was teaching him, and I went along with his natural interests and inclinations. The antagonism he had for testing came not from the idea itself, as much as from the idea of focusing upon detail for detail’s sake. Only when you had that kind of a test did he become antagonistic. In extrasensory perception—as in so-called normal perception—the natural inclinations of the personality dictate the kind of information that will be sought from any available field of data.

[... 3 paragraphs ...]

Rob had purchased two four-by-eight-foot pieces of Masonite and a roller pan. The salesman who waited on us became quite talkative when he learned that Rob was going to use the Masonite for paintings. He told us that a European artist had done a portrait of him while he’d been a soldier in World War II. Somewhat humorously, he described how the artist had drawn his face as though it were symmetrical and without blemish, while actually it was quite asymmetrical with an impaired eye. The salesman also wore glasses.

[... 8 paragraphs ...]

All in all, Seth gave twenty-four impressions. Each of them did apply, though some were not as specifically connected as others. For example, Seth said: “Connection with black, symbolic of death; and with a tournament, again symbolic, as of a crossing of swords.” We believe that this was a reference to World War II, when the salesman who waited on us had his portrait done as a soldier. Another example was this: “Numbers … perhaps 01913.” The bill did have numbers on it, and in a series that began with 0 (this seemed unusual to us), but not in the order given by Seth. One series begins with 09 (not 019); and the last two digits, 1 and 3, do appear by themselves on the front of the bill.

[... 5 paragraphs ...]

We tried all sorts of things with the envelopes. In The New York Times test, Rob himself didn’t know what was on the test object. He didn’t always know what the test object was, in any case, and sometimes he didn’t even know that a test would be held! For example, occasionally friends would come unannounced to a session and bring their own test envelope. This was just handed to me in the middle of the session, without my knowing beforehand whether or not a test would be held. Sometimes Rob would use such an envelope at once; at other times he would save it for a future session.

[... 15 paragraphs ...]

He was obsessed with statistical proof for the existence of telepathy and clairvoyance, and hoped that we could produce it. At first it seemed tremendously exciting to me to be a part of such an endeavor. But as we continued to read everything we could get our hands on, excitement turned to bewilderment. As far as we could tell, the existence of telepathy and clairvoyance had been scientifically proven time and time again by Dr. J. B. Rhine at Duke University, and demonstrated by others such as Croisset, a psychic, working with Professor Wilem Tenhaeff at the University of Utrecht in the Netherlands. The work of Harold Sherman and other psychics certainly added circumstantial evidence at the very least. Was Instream throwing out all of these results and countless other evidence gained in parapsychology laboratories throughout the world?

[... 11 paragraphs ...]

Now we could concentrate on the Seth Material. Freed from the test structure, the sessions were ready to go places. We were in for many surprises. If I’d had more faith in Seth’s abilities and my own, I could have saved myself a lot of trouble. Actually, even while we were conducting the ESP tests, other things were happening and not only in sessions.

[... 6 paragraphs ...]

“One of the attractions of your portrait of me is that it automatically suggests an unseen audience to whom I appear to be speaking. Not a formal audience, but unseen listeners who represent humanity at large. The unseen is there. The figure manages to suggest the universe of men and the world that holds them, yet nowhere do these appear.

[... 6 paragraphs ...]

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