“Seth material” search engine (Jane Roberts)

He was obsessed with statistical proof for the existence of telepathy and clairvoyance, and hoped that we could produce it. At first it seemed tremendously exciting to me to be a part of such an endeavor. But as we continued to read everything we could get our hands on, excitement turned to bewilderment. As far as we could tell, the existence of telepathy and clairvoyance had been scientifically proven time and time again by Dr. J. B. Rhine at Duke University, and demonstrated by others such as Croisset, a psychic, working with Professor Wilem Tenhaeff at the University of Utrecht in the Netherlands. The work of Harold Sherman and other psychics certainly added circumstantial evidence at the very least. Was Instream throwing out all of these results and countless other evidence gained in parapsychology laboratories throughout the world?

Seth told Dr. Instream that he would be moving to a Midwestern university by the end of the year, for example. I have no idea if Dr. Instream had any indication of this ahead of time, but he did move when Seth said he would, and to a Midwestern university. We never learned how many correct impressions even of this sort checked out. Enough of them would have added up to something. So would a high enough percentage of hits on specific names and dates and so forth, statistics or no.

Here are a few excerpts from that session: “In a portrait,” Seth said, “do the same exercise as given earlier: [that is], imagine the individual as the center of all life, so that when the painting is completed, it automatically suggests the whole universe of which the individual is part. Nothing exists in isolation, and this is the secret that the old masters knew so well.

“In the smallest detail they managed to suggest the reality of the spiritual universe of which that detail was a part and through which the energy of the universe spoke. Use your talents—and they are considerable—to this end. You can do no less. …

“One of the attractions of your portrait of me is that it automatically suggests an unseen audience to whom I appear to be speaking. Not a formal audience, but unseen listeners who represent humanity at large. The unseen is there. The figure manages to suggest the universe of men and the world that holds them, yet nowhere do these appear.