1 result for (book:tsm AND heading:"chapter eight" AND stemmed:techniqu)
[... 81 paragraphs ...]
Rob has a strong visual memory. Once he sees such an image, he retains it and can refer back to it at will. My visual memory is poor, in contrast, and so is my eyesight (I have no depth perception). Rob is a professional artist, an excellent draftsman and technician. Yet in sessions, Seth has given Rob excellent advice and information on the techniques and philosophy of art. This strikes us as really funny, since I paint as a hobby, with a stubborn lack of perspective. Rob used to try to teach me perspective, but the lessons just wouldn’t take. I’ve never studied art, and my paintings are rather childish in execution, done with raw color. Yet Seth told Rob how to mix and use certain pigments, and Rob has added the information to his repertoire. Seth says that he has no artistic ability either, but questions artists who have entered his own field of reality.
In one session, Seth gave some pointers that Rob immediately put to use. The picture is one of our favorites, and belongs to Rob’s “people series”—portraits of people we’ve never met. The inspiration for this particular painting came to Rob suddenly a few days after the session in question, and he used the techniques Seth had given in its execution.
[... 5 paragraphs ...]
After the session Rob told me he was quite certain that I didn’t consciously possess such knowledge—that my mind “didn’t work that way.” Rob had never tried this particular method of building up color tones in portrait work, and it is this technique he used in the painting idea that “came to him” a few days after this session. Later Seth added to this information. We are still accumulating material on art, art philosophy, and painting techniques.
[... 1 paragraph ...]
Seth did say, however, that Rob’s picture using the color-building technique is a portrait of the artist in question. (See illustrated section.) He also said that Rob would do other paintings of both the artist and his environment, including possibly the artist’s studio.
[... 2 paragraphs ...]