“Seth material” search engine (Jane Roberts)

We asked Seth about these points in a later session, and got some very interesting answers: “A portion is always connected to the whole of which it is part,” he said. “From the torn section, then, to me the whole [page] was present, and from portions of the whole, the whole can be read. With enough freedom on the one hand, and training on the other, Ruburt, speaking for me, could give you the entire copy of The New York Times from a torn corner.

“An oval shape or eye shape, that is, this kind of an eye, inside of a rectangle or triangle, you see.” (According to Rob’s notes, I pointed to one of my own closed eyes. The salesman, as mentioned earlier, specifically mentioned his poor eye in connection with his portrait, and his glasses.)

Up to this point the impressions had come through with no concern on my part. I was in a deep trance. Then Seth said: “The feeling of something hanging over, threatening or overhanging, on the upper half of the object, and dark.” As I spoke these words for Seth, a rift seemed to open up—a doubt as to the information’s interpretation. I knew that Seth wanted me to narrow this down myself, and that this was part of my training.

I had the feeling of something very heavy hanging over me. Was this to be translated into an object like, say, a heavy roof over my head, or to an emotional feeling that “hung over me”? I didn’t know—and at that point I couldn’t figure it out. The correct specific connection wasn’t made. Seth threw me another: “Something bright and small also, beneath this overhanging or threatening portion.” Here again, left to my own devices, I couldn’t work my way to the specific data we wanted.

“A building with a long narrow section; a roof supported by posts. The roof is long and narrow also. With a floor of stone or cement, sand-colored. A veranda outside their door, and a large bucket filled with sand. There are rocks beneath the veranda, and beyond that, the ocean or bay. Right at the shore, down and ahead, is a scooped-out circular indentation where there is a swift current because of the rocks. And at this particular point, by this indentation, there is no beach, though there is a beach to the left and right, rather large ones.”

Each point was correct. We went over the material with the Gallaghers on their return. But there was much more. Seth had correctly described a nightclub they’d visited, then went on to mention that there had been a “nuisance there.” Bill and Peg wholeheartedly agreed. They’d been annoyed by a loud-mouthed English tourist. So, obviously, had others. The Englishman insisted upon whistling with the band. Seth also said that there were eighteen shrubs out in front of the nightclub, but Bill had to admit that though there were shrubs out front, he hadn’t thought of counting them.

All told, a total of forty correct impressions were given in the three sessions held while Peg and Bill were in Nassau; more, actually, since many impressions consisted of several points. But so much work is involved in such an experiment! Memory is fallible, so we always tried to get anyone involved to write up their reports at once for easier and more reliable checking.