“Seth material” search engine (Jane Roberts)

“He would not be content simply to give the details on the snatch of paper. This is a fairly automatic tendency of his mental life. We use it, I hope to advantage, in our sessions in other ways. … In the tests, however, we tried to utilize this characteristic, since we could not deny it. Ruburt’s abilities are what I have to work with and through—besides, of course, my own. So we used this tendency here to enlarge the picture and bring in further details that gave you rather respectable data … and in a way that was fairly natural to Rubert.”

Very shortly after the sessions began, Rob started to see visions or images. Some were subjective, but others were objectified—three-dimensional, or nearly so. Some were of people, and Rob began to use them as models for his paintings. Now our living room is full of portraits of people we don’t “know.” Seth has said that some depict ourselves in past lives. One, used in this book, is a portrait of Seth in the form in which he chose to appear to Rob. (Since then, a student and a friend of ours have both seen Seth as he appears in this picture.)

In one session, Seth gave some pointers that Rob immediately put to use. The picture is one of our favorites, and belongs to Rob’s “people series”—portraits of people we’ve never met. The inspiration for this particular painting came to Rob suddenly a few days after the session in question, and he used the techniques Seth had given in its execution.

Seth did say, however, that Rob’s picture using the color-building technique is a portrait of the artist in question. (See illustrated section.) He also said that Rob would do other paintings of both the artist and his environment, including possibly the artist’s studio.